{"title":"Male Stars","description":"\u003cp\u003eBrowse our Male Stars collection. Hot Sale.\u003c\/p\u003e","products":[{"product_id":"little-elf-a-celebration-of-harry-langdon-softcover-edition-by-chuck-harter-michael-j-hayde","title":"LITTLE ELF: A CELEBRATION OF HARRY LANGDON (SOFTCOVER EDITION) by Chuck Harter \u0026 Michael J. Hayde","description":"\u003cp\u003e\t\u003cstyle\u003e\u003c!-- \/* Font Definitions *\/@font-face\t{font-family:Arial;\tpanose-1:2 11 6 4 2 2 2 2 2 4;\tmso-font-charset:0;\tmso-generic-font-family:auto;\tmso-font-pitch:variable;\tmso-font-signature:-536859905 -1073711037 9 0 511 0;}@font-face\t{font-family:\"Cambria Math\";\tpanose-1:2 4 5 3 5 4 6 3 2 4;\tmso-font-charset:0;\tmso-generic-font-family:auto;\tmso-font-pitch:variable;\tmso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face\t{font-family:Calibri;\tpanose-1:2 15 5 2 2 2 4 3 2 4;\tmso-font-charset:0;\tmso-generic-font-family:auto;\tmso-font-pitch:variable;\tmso-font-signature:-536870145 1073786111 1 0 415 0;} \/* Style Definitions *\/p.MsoNormal, li.MsoNormal, div.MsoNormal\t{mso-style-unhide:no;\tmso-style-qformat:yes;\tmso-style-parent:\"\";\tmargin:0in;\tmargin-bottom:.0001pt;\tmso-pagination:widow-orphan;\tfont-size:12.0pt;\tfont-family:Calibri;\tmso-ascii-font-family:Calibri;\tmso-ascii-theme-font:minor-latin;\tmso-fareast-font-family:Calibri;\tmso-fareast-theme-font:minor-latin;\tmso-hansi-font-family:Calibri;\tmso-hansi-theme-font:minor-latin;\tmso-bidi-font-family:\"Times New Roman\";\tmso-bidi-theme-font:minor-bidi;}.MsoChpDefault\t{mso-style-type:export-only;\tmso-default-props:yes;\tfont-family:Calibri;\tmso-ascii-font-family:Calibri;\tmso-ascii-theme-font:minor-latin;\tmso-fareast-font-family:Calibri;\tmso-fareast-theme-font:minor-latin;\tmso-hansi-font-family:Calibri;\tmso-hansi-theme-font:minor-latin;\tmso-bidi-font-family:\"Times New Roman\";\tmso-bidi-theme-font:minor-bidi;}@page WordSection1\t{size:8.5in 11.0in;\tmargin:1.0in 1.0in 1.0in 1.0in;\tmso-header-margin:.5in;\tmso-footer-margin:.5in;\tmso-paper-source:0;}div.WordSection1\t{page:WordSection1;}--\u003e\u003c\/style\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cstyle\u003e\n\u003c!--\n \/* Font Definitions *\/\n @font-face\n\t{font-family:Helvetica;\n\tpanose-1:0 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1342208091 0 0 415 0;}\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:roman;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536869121 1107305727 33554432 0 415 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:swiss;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536859905 -1073732485 9 0 511 0;}\n \/* Style Definitions *\/\n p.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Calibri\",sans-serif;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:\"Calibri\",sans-serif;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\n\u003c\/style\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"\u003e\u003cspan style='font-size:9.0pt;font-family:\"Arial\",sans-serif;mso-fareast-font-family:\n\"Times New Roman\";color:black'\u003eHarry Langdon, a comic who appeared in\r\nVaudeville, silent movies, and sound film comedies, held a unique position in\r\nHollywood history. After a slow start in movies, he joined Keystone, the famous\r\nMack Sennett studio. Langdon’s screen character was quite different from the\r\nbroad slapstick that was popular at the time. When paired with director Frank\r\nCapra in films such as \u003ci\u003eThe Strong Man\u003c\/i\u003e (1926), \u003ci\u003eTramp,Tramp,\r\nTramp\u003c\/i\u003e (1926), and \u003ci\u003eLong Pants\u003c\/i\u003e (1927), he rivaled\r\nCharlie Chaplin, Buster Keaton, and Harold Lloyd.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style='font-size:\n9.0pt;font-family:Helvetica;mso-fareast-font-family:\"Times New Roman\";\nmso-bidi-font-family:\"Times New Roman\";color:black'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"\u003e\u003cspan style='font-size:9.0pt;font-family:\"Arial\",sans-serif;mso-fareast-font-family:\n\"Times New Roman\";color:black'\u003eChuck Harter and Michael J. Hayde’s biography\r\nincludes a comprehensive Filmography. Lavishly illustrated.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style='font-size:9.0pt;font-family:Helvetica;mso-fareast-font-family:\"Times New Roman\";\nmso-bidi-font-family:\"Times New Roman\";color:black'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"\u003e\u003cspan style='font-size:9.0pt;font-family:\"Arial\",sans-serif;mso-fareast-font-family:\n\"Times New Roman\";color:black'\u003e\"You can hear the laughter flowing through\r\nthe book. Langdon's comic timing was about taking enough time to figure out a\r\nsituation. The reader should do the same, and not rush through these wonderful\r\npages.\" \u003c\/span\u003e\u003cspan style='font-size:9.0pt;font-family:Helvetica;\nmso-fareast-font-family:\"Times New Roman\";mso-bidi-font-family:\"Times New Roman\";\ncolor:black'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"\u003e\u003cspan style='font-size:9.0pt;font-family:\"Arial\",sans-serif;mso-fareast-font-family:\n\"Times New Roman\";color:black'\u003e- Brad Linaweaver, \u003ci\u003eMondo Cult\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style='font-size:9.0pt;font-family:Helvetica;mso-fareast-font-family:\"Times New Roman\";\nmso-bidi-font-family:\"Times New Roman\";color:black'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"\u003e\u003cspan style='font-size:9.0pt;font-family:\"Arial\",sans-serif;mso-fareast-font-family:\n\"Times New Roman\";color:black'\u003e\"[The authors] have done a great service\r\nfor comedy aficionados and historians, offering up a cornucopia of information\r\non every one of Langdon’s screen appearances, rare photos, vintage magazine\r\narticles, and more. If you have any interest in Harry Langdon, this book is\r\ninvaluable. \u003c\/span\u003e\u003cspan style='font-size:9.0pt;font-family:Helvetica;\nmso-fareast-font-family:\"Times New Roman\";mso-bidi-font-family:\"Times New Roman\";\ncolor:black'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt:auto;mso-margin-bottom-alt:auto\"\u003e\u003cspan style='font-size:9.0pt;font-family:\"Arial\",sans-serif;mso-fareast-font-family:\n\"Times New Roman\";color:black'\u003e- Leonard Maltin in \u003ci\u003eLeonard Maltin’s\r\nMovie Crazy\u003c\/i\u003e\u003c\/span\u003e\u003cspan style='font-size:9.0pt;font-family:Helvetica;\nmso-fareast-font-family:\"Times New Roman\";mso-bidi-font-family:\"Times New Roman\";\ncolor:black'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Arial\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Arial\"\u003e\u003ci\u003eOr buy from Amazon:\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822\u0026amp;OneJS=1\u0026amp;Operation=GetAdHtml\u0026amp;MarketPlace=US\u0026amp;source=ac\u0026amp;ref=qf_sp_asin_til\u0026amp;ad_type=product_link\u0026amp;tracking_id=bmmedia0b-20\u0026amp;marketplace=amazon\u0026amp;region=US\u0026amp;placement=1593932782\u0026amp;asins=1593932782\u0026amp;linkId=9bf4f5472a377f08d775e25bfe5c2b24\u0026amp;show_border=false\u0026amp;link_opens_in_new_window=false\u0026amp;price_color=333333\u0026amp;title_color=0066c0\u0026amp;bg_color=ffffff\" frameborder=\"0\"\u003e    \u003c\/iframe\u003e\u003chr\u003e\u003cp\u003e\t\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview at Greenbriar Picture Shows\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\t\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview from Armand's Rancho del Cielo\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\t\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview in the Ogden, Utah, Standard-Examiner\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\t\u003cem\u003e\u003cspan style=\"font-size:14px;\"\u003eArticle from Flicker Alley\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195187101790,"sku":"idw1787291468410","price":40.5,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/little-elf-a-celebration-of-harry-langdon-softcover-edition-by-chuck-harter-mich_1.jpg?v=1787291473"},{"product_id":"for-arts-sake-the-biography-filmography-of-ben-turpin-paperback","title":"FOR ART'S SAKE: THE BIOGRAPHY \u0026 FILMOGRAPHY OF BEN TURPIN (paperback)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eISBN \u003cspan id=\"print_isbn\" data-mce-fragment=\"1\"\u003e9781593932633\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eIn the history of silent movies, one of America's earliest comedians was Ben Turpin, a former Vaudeville and Burlesque comic and circus clown, who was famous for his crossed eyes.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eBen’s first film appearance was in 1907 for Essanay Studios, and he appeared in many small parts and comic bits, and he also doubled as a carpenter and janitor for Essanay. One of his best-known surviving films was \u003ci\u003eMr. Flip\u003c\/i\u003e (1909).\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eIn 1915, the world’s most famous silent film comedy star, Charlie Chaplin, joined Essanay, bringing Ben into a long series of comic films that are still being shown today.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eIn 1917, Ben joined Mack Sennett’s renowned studio, and Ben appeared in dozens of highly popular slapstick films, becoming famous worldwide, only ending in 1928 when the studio revamped for talking pictures. Ben then appeared in some low-budget comedies for Weiss Brothers-Artclass company, several of which are still enjoyed by audiences today, including \u003ci\u003eIdle Eyes\u003c\/i\u003e and \u003ci\u003eThe Eyes Have It.\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eIn later life, Ben appeared in memorable cameos in Paramount's \u003ci\u003eMillion Dollar Legs\u003c\/i\u003e (1932) with W. C. Fields, Jack Oakie, and Susan Fleming. He starred in only one more short subject, \u003ci\u003eKeystone Hotel\u003c\/i\u003e (1935), for Warner Bros., a two-reel reunion of silent-era comedians. His last feature film was with Laurel and Hardy in \u003ci\u003eSaps at Sea\u003c\/i\u003e (1940).\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'MS Mincho'; mso-bidi-font-family: 'MS Mincho';\"\u003e\u2028\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Times New Roman';\"\u003eThe author’s years of research draws from a wealth of information, including vintage magazines and newspapers, genealogy records, business associates, and family descendants, to create this complete reference book on the life, career, and films of Ben Turpin. Illustrated with hundreds of rare photos. 446 pages.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview from Plan 9 Crunch\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview in the Ogden, Utah, Standard-Examiner\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReview by The Moderate Voice\u003cspan style=\"font-size: 14px;\"\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195187134558,"sku":"vsp1787291470527","price":26.88,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/for-arts-sake-the-biography-filmography-of-ben-turpin-paperback_1.jpg?v=1787291475"},{"product_id":"orson-welles-and-roger-hill-a-friendship-in-three-acts-paperback","title":"ORSON WELLES AND ROGER HILL: A FRIENDSHIP IN THREE ACTS (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eOrson Welles and Roger Hill: A Friendship in Three Acts\u003c\/em\u003e chronicles the seven-decade relationship between Orson Welles and his mentor and treasured friend, the author’s grandfather, Roger Hill. Welles’s attachment to Hill was instant, reciprocal, and developed into an enduring love. Their intimate conversations and correspondence revealed in \u003cem\u003eFriendship\u003c\/em\u003e— at times frothy, and at other times solemn—reflect their incalculable interests and abiding fascination with the human comedy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eOrson was recognized by multitudes around the world, and his celebrity hasn’t diminished since his death in 1985. His public persona is widely known, admired, and debated, but very few knew the private Orson Welles. That fascinating and uncommonly warm persona is radiantly revealed in every page, as is the equally charismatic nature of Roger Hill.\u003cbr\u003e  \u003cbr\u003e Reflecting on the book, fellow director and author of \u003cem\u003eThis is Orson Welles\u003c\/em\u003e, Peter Bogdanovich observed: “I found \u003cem\u003eOrson Welles and Roger Hill: A Friendship in Three Acts\u003c\/em\u003e fascinating, touching, and revealing of Orson and Roger. It certainly is the Orson I knew in all his complexity and brilliance.”\u003cbr\u003e  \u003cbr\u003e English actor, writer, director, and author of \u003cem\u003eOrson Welles: The Road to Xanadu\u003c\/em\u003e, and \u003cem\u003eOrson Welles: Hello Americans\u003c\/em\u003e, the first two of an eventual three-volume Welles biography, Simon Callow, asserted:  I read \u003cem\u003eOrson Welles and Roger Hill: A Friendship in Three Acts\u003c\/em\u003e with absolute delight. At last I have what I have been looking for in vain till now: the sound of Welles’s private voice, the warmth, easiness, modesty, fantasy of which so many have spoken but which none have been able to reproduce. Here it is at last, along with the moving revelation of the depth of feeling between Orson Welles and Roger Hill: the undeviating, unconditional, but intelligent love in which Orson clearly rejoices, and by which he is so evidently sustained, even through the worst reverses and most bitter disappointments.”\u003cbr\u003e  \u003cbr\u003e American film critic and author of \u003cem\u003eDiscovering Orson Welles\u003c\/em\u003e, Jonathan Rosenbaum, said of \u003cem\u003eOrson Welles and Roger Hill: A Friendship in Three Acts\u003c\/em\u003e:  “The major and longest-lasting close friendship of Orson Welles’s life was with one of his earliest role models—his teacher, advisor, and theatrical mentor at the Todd School who later became the school’s headmaster, Roger Hill. Hill’s grandson, Todd Tarbox, has given us invaluable and candidly intimate glimpses into many of its stages.”\u003cbr\u003e  \u003cbr\u003e \u003cstrong\u003eAbout the Author:\u003c\/strong\u003e Todd Tarbox was born in Chicago, Illinois.  He is the author of \u003cem\u003eSee the World, Imagine, \u003c\/em\u003eand co-editor of \u003cem\u003eFootprints of Young Explorers\u003c\/em\u003e. Tarbox lives in Barrington Hills, Illinois.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e         The 2013 calendar year has provided enough new Welles material to make the case for his lasting iconography…  Welles managed to know so many people and go so many places that the very narrative of his existence provides a rich conduit to any number of eras and topics in twentieth century history.  Todd Tarbox’s \u003cem\u003eOrson Welles and Roger Hill: A Friendship in Three Acts\u003c\/em\u003e tracks the writer-director-actor-thinker through a series of warm conversations with his lifelong mentor, whom he met while attending the Woodstock, Illinois boys’ school where the actor developed his many trades…  Tarbox plays up the eloquence that emerges from the synthesis of two active minds in conversation and strikes a nostalgic tone by tracking the decline of educated approaches to artistic creation.  Welles and Tarbox seemingly exist in an echo chamber divorced from the rush of the commercial world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003e— \u003c\/strong\u003eCineaste Magazine, Winter 2013, http:\/\/www.cineaste.com\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe more recently published Orson Welles and Roger Hill: A Friendship in Three Acts (Bear Manor Media, 2014) by Hill’s grandson Todd Tarbox, shows a completely different side of Welles. Hill was Welles’ headmaster, teacher and mentor at the Todd School for Boys in Woodstock Illinois. The relationship between the two continued throughout Welles’ life. Even though Hill was Welles’ senior by twenty years, the teacher outlived the student by another five. This volume allows us to appreciate the full scope of Welles’ intellect, in part because with Hill, Welles was speaking to an intellectual equal. Jaglom, no doubt, fell into the category of “Hollywood friend”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThis is a volume that Welles admirers will treasure. Written as a scripted three-act play, Tarbox uses the recorded phone conversations that Welles and Hill conducted over a three-year period to sketch a portrait of two men who shared a strong love of theater, literature and history. Tarbox’s stage and lighting directions add little to the book, but the conceit that we are watching a two-man play never distracts from the personalities front and center. It is unlikely ever to be staged, but it would make a hell of an entertaining recorded book if the right actors could be found to inhabit the two roles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eIn the course of the interviews, Hill makes the distinction between ORSON WELLES! and Orson Welles. This is the more relaxed, contemplative, lower-case Welles. Readers looking for salacious Hollywood gossip will be disappointed. Even when Welles recalls the final years of John Barrymore, it is with admiration and fondness for a former genius of the theater. Lovers of golden-age radio will appreciate Welles’ cherished memories of the medium: “Radio is what I love most of all. The excitement of could happen in live radio, where everything that could go wrong did go wrong…I wouldn’t want to return to those frenetic twenty-hour working days, but I miss them because they are so irredeemably gone.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe Welles in this book is more optimistic than Jaglom’s. The great director has no illusions about the uphill climb he is facing as he tries to secure adequate financing and the all-important right of final cut. But as he tells his mentor, “Disappointments continue to affect my confidence, but never my resolve.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eAlthough Hill and Welles made these recordings with the idea of using them in planned memoirs, sadly neither came to fruition. Anyone looking for a straight chronological history of Welles’ life and career will be better served looking elsewhere. The first two volumes of Simon Callow’s biographical trilogy are highly recommended, especially his coverage of Welles’ radio years in Vol. 1.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eWhenever the two agree to explore a later aspect of Welles’ career, they invariably return to tales of their beloved Todd School or become happily sidetracked into discussing Shakespeare. For both men, their years at Todd were clearly the happiest of their lives. This is not a weakness of the book, for within these conversations we meet the real Orson Welles, and he is a much warmer, wittier companion than the bitter old man Jaglom took to lunch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e-- Robb Farr – Radio Recall\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview from the World Socialist Web Site\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview by Leonard Maltin\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview in The New Yorker\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview in the Palm Beach Post\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview from Publishers Weekly\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eDennis Miller Interview (audio)\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview in the Chicago Tribune\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eAfter Hours With Rick Kogan, WGN AM Chicago, Ill, May 25, 2014\u003cbr\u003e  \u003cbr\u003e \"T For True\" review from Sense of Cinema\u003cbr\u003e  \u003cbr\u003e Review from the Springfield (MA) Republican\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eInterview with Steve Darnall at Nostalgia Digest\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eReview from WellesNet\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eFrom The New Yorker Magazine: \"The Shadow: A Hundred Years of Orson Welles\"\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle from SubtleTea.com\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe Dennis Miller Show\u003cbr\u003e http:\/\/www.dennismillerradio.com\/b\/Sustaining\/819441626141059755.html\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eAfter Hours with Rick Kogan\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003eWGN Radio, Chicago, IL\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e http:\/\/wgnradio.com\/2014\/06\/01\/author-todd-tarbox-talks-orson-welles\/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"Orson Welles: An “unfinished artist” in an unfinished century\"—Event marks 80 years since theater festival in Woodstock, Illinois\u003cbr\u003e http:\/\/www.wsws.org\/en\/articles\/2014\/05\/23\/wood-m23.html\u003cbr\u003e http:\/\/www.wsws.org\/fr\/articles\/2014\/jul2014\/well-j26.shtml\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eWelles managed to know so many people and go so many places that the very narrative of his existence provides a rich conduit to any number of eras and topics in twentieth century history.  Todd Tarbox’s “Orson Welles and Roger Hill: A Friendship in Three Acts” tracks the writer-director-actor-thinker through a series of warm conversations with his lifelong mentor, whom he met while attending the Woodstock, Illinois boys’ school where the actor developed his many trades…  Tarbox plays up the eloquence that emerges from the synthesis of two active minds in conversation and strikes a nostalgic tone by tracking the decline of educated approaches to artistic creation. \u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e— Cineaste Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e“Orson Welles and Roger Hill: A Friendship in Three Acts” is a remarkable glimpse into cultural history…  Welles and Hill were individuals of considerable intellect and culture. They belonged to a generation steeped in the classics of Western literature. Lines from Shakespeare, Poe, Ben Jonson and others form an organic element of their conversations. It is a moving moment when Hill recites Christ’s entire “Sermon on the Mount” from memory…  Todd Tarbox’s book is a genuine contribution to our understanding of a critical historical period and two remarkable personalities.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—David Walsh, WSWS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eHere are refreshingly candid conversations between two adoring friends who shared an abiding interest in language, literature, theater, and art. We learn of Welles’ current and forever-frustrated projects (such as untangling the ownership of The Other Side of the Wind), his everyday activities, his beloved canine companion, and much, much more. Both he and Hill are apt to break into long quotes from famous poets and playwrights at the drop of a hat: these are no ordinary phone calls.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Leonard Maltin, Movie Crazy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe author gives equal attention to the world-famous Orson Welles and the accomplishments of his non-celebrity grandfather, who went on to serve as the Todd School’s headmaster for three decades… “Orson Welles and Roger Hill: A Friendship in Three Act” is free of any sensational, viral-ready quotes… in Welles’s conversations with Hill, you get the sense of a brilliant person who doesn’t feel any need to be “on.”\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Everett Jones, Publishers Weekly\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eIn 1926, shortly after his mother's death, the 11-year-old Welles entered the Todd School for Boys, an independent boarding school in Woodstock. One of his teachers there was Roger Hill, and a better student-teacher match may not have been made since Plato met Socrates.  Todd Tarbox, Roger Hill's grandson and the author of a compelling and captivating new book, \"Orson Welles and Roger Hill: A Friendship in Three Acts,\" is cleverly, inventively constructed in the form of a three-act play of candid conversations adapted from the many letters and tape-recorded conversations between Welles and Hill.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Rick Kogan, Chicago Tribune\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eI've been thinking about Welles a lot recently because as the great genius of American directors he is never far from cineastes' minds. For one thing, interesting new books about him are constantly coming out: \"Orson Welles In Italy\" by Alberto Anile and \"Orson Welles and Roger Hill: A Friendship in Three Acts\" by Todd Tarbox are but two recent examples.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Kenneth Turan, Los Angeles Times Film Critic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eTodd Tarbox’s “Orson Welles and Roger Hill: A Friendship in Three Acts” is superbly edited from telephone transcriptions and other relevant documents – public speeches, private letters, and Welles’ youthful journal entries. Presented in the form of a play script, the book is a delightful and amusing record of intelligent conversation, a moving testament to Welles’ longest friendship.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Matthew Asprey Gear, Senses of Cinema\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eIt is difficult to think of anyone in our contemporary world of arts and letters who could match Welles's mastery of so many realms of expression—theater, film, radio, acting, writing, oratory, magic—and deep knowledge of politics, literature, music and history. Much of this took root and blossomed during his five years at the eminent and progressive Todd School for Boys in Woodstock, Illinois, where, under the guidance of Hill, 20 years his senior, the prodigy took part in many theatrical productions and co-edited the successful Everybody's Shakespeare series.  Above all, what is so important and--for those of us who strongly connected with the man and his work during his lifetime—moving about “Orson Welles and Roger Hill: A Friendship in Three Acts” is that, for the first time, I felt I was hearing the true, unadulterated voice of Orson Welles… Theirs was a relationship of lifelong love, amity and mutual respect, and coursing through their talks is a quality of friendship and generosity of spirit rare in this life. As the conversations move inexorably toward the end—on the night before he is to die, Welles tells Hill, “I'm feeling very mortal these days”--one feels the curtain slowly coming down on a profoundly felt comedy-drama one wishes had several more acts to go.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Todd McCarthy, Hollywood Reporter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe subjects tend toward personal recollections and nostalgic delights, and Welles is aware of the nostalgia… The tone is warm and mutually avuncular. Hill, the elder man, looks fondly at Welles as a perpetual gifted youth in the radiance of promise and with a modest pride at his own association with him… The reminiscences of school days, long-departed friends, and early, naïvely audacious adventures conjure a scaled-down Welles, whose cracker-barrel warmth reminds us that his mighty creations have a core of nostalgic yearning for an unforgotten modesty that lay forever just out of reach. (After all, Rosebud.)…  The anchored and sentimental protagonist of Tarbox’s book brings an important new facet to our view of Orson Welles, one of the two greatest characters in the history of cinema.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Richard Brody, New Yorker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThis is Welles at his best.\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Scott Eyman, Palm Beach Post Staff\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eFriendships were thorny in both Welles’s work – think of Kane and Leland, Othello and Iago, Quinlan and Menzies, Falstaff and Hal, Harry Lime and Holly Martins – and his life. Curdled love was one of his leitmotivs. Welles and Hill survived early professional collaboration (they wrote a play and co-edited Shakespeare when Welles was a teenager) to enjoy six decades of affection; there’s real poignancy to the duo’s comparisons of their elderly ailments (Hill died in 1990, aged 95). But most poignant is the letter Skipper wrote to the 25-year-old Orson on the occasion of his first divorce. “Your real need, I feel, is not for fewer ties; it is for greater ones,” Hill wrote: “Welles, as a solo wonder-worker, will never be truly happy.”\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e—Ben Walters, Sight\u0026amp;Sound\u003c\/span\u003e\u003cspan style=\"font-style: italic;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"http:\/\/podtrac.com\/player\/NDQyODY1\/NQ2\" height=\"100\" width=\"700\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"http:\/\/podtrac.com\/player\/NDQyODY1\/NA2\" height=\"100\" width=\"700\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"http:\/\/podtrac.com\/player\/Mzg2Mzg1\/Nw2\" height=\"100\" width=\"700\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195187167326,"sku":"hdm1787291470508","price":23.1,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/orson-welles-and-roger-hill-a-friendship-in-three-acts-paperback_1.jpg?v=1787291476"},{"product_id":"to-laughter-with-questions-poetry-paperback","title":"TO LAUGHTER WITH QUESTIONS: POETRY (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eWhat is a comedian doing writing poetry? I often ask myself the same question. I suppose it’s just something I \u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003ecan’t help doing. In fact, I have always written. As a kid growing up in Chicago, I wrote stories for my own amusement. Later, when work as an actor was scarce, I wrote for Steve Allen. Along the way, I read and appreciated poetry, but never really tried my hand at writing it until late in my “other” career, teaching writing in USC’s Master of Professional Writing program. From there, I continued to write on any subject that caught my fancy. At last, I had enough poems to put together to create this collection. In it you will find poems of all sorts, serious, not-so-serious, poems to teach and poems to amuse. Most of my poetry is free verse, although you will also find a few rhyming poems, one trying to teach iambic pentameter, and a few limericks. All of it, however, comes from my own experience. I hope you enjoy reading it as much as I have enjoyed writing it.\"\u003cbr\u003e \u003cbr\u003e \u003cem\u003e- Shelley Berman\u003c\/em\u003e\u003cbr\u003e  \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSHELLEY BERMAN \u003c\/strong\u003eis a Grammy® Award and three-time gold record award-winning comedian, and an Emmy® Award-nominated actor with hundreds of stage, film and television appearances to his credit. He has authored three books, two plays, several TV pilot scripts, and numerous poems, many of which are being presented for the first time in this collection. For over twenty years, Shelley taught humor writing in the Master of Professional Writing program at the University of Southern California, where he is now a Lecturer Emeritus. He lives in Bell Canyon, California with his wife, Sarah.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eBuy directly from Amazon: \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195187200094,"sku":"alw1787291473308","price":15.84,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/to-laughter-with-questions-poetry-paperback_1.jpg?v=1787291478"},{"product_id":"paul-lynde-a-biography-his-life-his-loves-and-his-laughter-paperback","title":"PAUL LYNDE: A BIOGRAPHY — HIS LIFE, HIS LOVE(S) AND HIS LAUGHTER (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThis book will let you into the heart and soul of Paul Lynde.\u003cbr\u003e \u003cbr\u003e Best remembered for outrageous jokes on \u003cem\u003eThe Hollywood Squares\u003c\/em\u003e, as Uncle\u003cbr\u003e Arthur from \u003cem\u003eBewitched\u003c\/em\u003e, and as the frantic father in \u003cem\u003eBye Bye Birdie\u003c\/em\u003e, Paul was\u003cbr\u003e never satisfied with his career - or his personal life. But even as he\u003cbr\u003e suffered through some of the cruelest of times, Paul continued to make us\u003cbr\u003e forget our troubles, and was forever gracious to his fans. This is the book\u003cbr\u003e those fans have been waiting for.\u003cbr\u003e \u003cbr\u003e Though he was one of the most original, hilarious, and private\u003cbr\u003e actor-comedians of all time, author Cathy Rudolph, his trusted friend,\u003cbr\u003e reveals her adventures with Paul - along with his turbulent life story. Here\u003cbr\u003e for the first time are interviews with his relatives, personal notes, and\u003cbr\u003e never-before-published photos. Also included are memories from his friends\u003cbr\u003e and peers including Cloris Leachman, Chita Rivera, Florence Henderson, Kaye\u003cbr\u003e Ballard, Peter Marshall, Les Roberts, Betty White, and many more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003eVisit the author's website at \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e\u003cspan style=\"caret-color: #000000; color: #000000; font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003e\u003c\/span\u003ewww.Paullyndeabiography.com \u003c\/span\u003e\u003cb style=\"caret-color: #000000; color: #000000; font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eI've been saying for forty years that Paul Lynde could deliver a punch line\u003cbr\u003e better than any other comedian. I look forward to having the book on my\u003cbr\u003e library shelf.\u003cbr\u003e \u003cem\u003e- Les Roberts, novelist and first producer and head writer of\u003cbr\u003e the original Hollywood Squares\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"A heartwarming read\"\u003cbr\u003e \u003cem\u003e- Milieu Magazine\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"A Loving Tribute to a Funny Man\"\u003cbr\u003e \u003cem\u003e- Portland Book Review\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"http:\/\/www.bearmanormedia.com\/image\/data\/north%20shore%20wading%20river%20library%20group.jpg?width=700\" style=\"width: 460px; height: 431px;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eCathy Rudolph speaking to Paul Lynde fans at the Northshore Public Library Sept 20, 2014, about her book.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" src=\"\/\/www.youtube.com\/embed\/EqQr5fgEv1s\" width=\"420\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eRadio interview with the author on the Bill Feingold Show\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle from TheNerdist.com\u003c\/span\u003e\u003cspan style=\"font-style: italic;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle from Closer Weekly\u003c\/span\u003e\u003c\/p\u003e\n\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle from Entertainment Weekly\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195194212446,"sku":"zet1787291765051","price":19.76,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/paul-lynde-a-biography-his-life-his-loves-and-his-laughter-paperback_1.jpg?v=1787291770"},{"product_id":"a-letter-of-introduction-the-life-and-films-of-james-stephenson-paperback","title":"A LETTER OF INTRODUCTION: THE LIFE AND FILMS OF JAMES STEPHENSON (paperback)","description":"\u003cp\u003eJames Stephenson's performance in William Wyler's The Letter is held in high critical esteem, yet the actor himself remains remarkably unknown. His is an extraordinary story of dedication and tenacity in achieving Hollywood stardom, only for his career and new-found success to be ended by an unexpected and tragic death.  Drawing on the late actor's personal archive, and other primary source material, the book traces his early family background in Lancashire, England, uncovers his First World War army service records, and describes his business career during the 1920s and early 1930s. At the age of forty-three he was able to enter the acting profession on the strength of his experience in amateur stage work. He performed on the professional stage in Liverpool and London. In private letters he describes his journey to Hollywood and the ordeal of screen tests at the Warner Bros. Burbank Studios. During his Hollywood screen career he played opposite such charismatic performers as: Humphrey Bogart, Bette Davis, Errol Flynn and Kay Francis.\u003c\/p\u003e\u003cp\u003eFor the first time, this biography presents the extensive range of James Stephenson's acting career both in Britain and Hollywood. Throughout, his life is depicted against a detailed historical background.\u003c\/p\u003e\u003cp\u003eDavid A. Redfern is a film historian and lives in England.\u003c\/p\u003e\u003cblockquote\u003e\"It’s definitely a fine age for film buffs when James Stephenson, long-late-lamented member of the Warner Bros. Golden Age stock company, receives this splendidly researched, five-star biography.\"\u003ccite\u003e- Gregory William Mank, author\u003c\/cite\u003e\n\u003c\/blockquote\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195194245214,"sku":"ulj1787291766013","price":21.86,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/a-letter-of-introduction-the-life-and-films-of-james-stephenson-paperback_1.jpg?v=1787291771"},{"product_id":"character-kings-2-hollywoods-familiar-faces-discuss-the-art-business-of-acting-by-scott-voisin-paper","title":"CHARACTER KINGS 2: HOLLYWOOD'S FAMILIAR FACES DISCUSS THE ART \u0026 BUSINESS OF ACTING by Scott Voisin (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eCharacter Kings 2 \u003c\/em\u003econtinues to examine the careers of the busiest men in Hollywood, featuring 15 all-new interviews with the industry's most recognizable actors. Filled with behind-the-scenes anecdotes about the making of movies and TV shows, tips on how to prepare for auditions, the techniques that bring a character to life and the secrets to earning a living in a highly competitive industry, \u003cem\u003eCharacter Kings 2 \u003c\/em\u003eoffers more instructive lessons about the art and business of acting. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eCharles Martin Smith\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJames Rebhorn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMike Starr\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDale Dye\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWilliam Forsythe\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDuane Whitaker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTony Todd\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJames Hong\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJeffrey DeMunn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJon Polito\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWilliam Atherton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrank Vincent\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRichard Riehle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eStephen Root\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRaymond J. 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style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eHis\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eaudiences\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehave\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003evaried\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eover\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003emany\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eyears\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eSome\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eknow\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehim\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eas\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ethe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003enever\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eofficially\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003erecognized\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003evoice\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eof\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eTV\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e'\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003es\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003efamous\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003etalking\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehorse\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eMister\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eEd\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eSome\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eremember\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehim\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eas\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eRed\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eRyder\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ethe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ecomic\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ebook\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eWestern\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehero\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e-\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ecome\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e-\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eto\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e-\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003elife\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eat\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ethe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eSaturday\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eafternoon\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ematinee\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eSome\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eremember\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehim\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eas\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eRocky\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eLane\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eyet\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eanother\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eWestern\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003egood\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eguy\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan 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style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eHe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003estarted\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehis\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003elove\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\/\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehate\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003erelationship\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ewith\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eacting\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eat\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ethe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eage\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eof\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003esixteen\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ein\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eplays\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eperformed\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003efrom\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ecity\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eto\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ecity\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eto\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eultimately\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003emake\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ehis\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eway\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eto\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eBroadway\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eHis\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003emovie\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ecareer\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ebegan\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ein\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n1929 \u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eas\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eleading\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eman\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eto\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eBarbara\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eStanwyck\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eLoretta\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eYoung\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eand\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eJoan\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eFontaine\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eamong\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003emany\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eHe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eappeared\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ein\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003emany\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eother\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003etelevision\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eseries\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e,\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eincluding\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eGunsmoke\u003c\/span\u003e\u003c\/i\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n(1958-1961), \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eWagon\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eTrain\u003c\/span\u003e\u003c\/i\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n(1958), \u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eand\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eAlfred\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eHitchcock\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ePresents\u003c\/span\u003e\u003c\/i\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n(1958). \u003c\/span\u003e\u003cspan style='font-family:\"MS Mincho\";mso-bidi-font-family:\"MS Mincho\"'\u003e\u2028\u2028\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-fareast-font-family:\"MS Mincho\";\nmso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-fareast-font-family:\n\"MS Mincho\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eDiscover\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ethe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003efull\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003escope\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eof\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ethe\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003ecomplicated\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003elife\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eof\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eAllan\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\r\n\"\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eRocky\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e\"\r\n\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:Calibri;\nmso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eLane\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003eIllustrated\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\r\n318 \u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family:Calibri;mso-fareast-font-family:\nCalibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:Calibri\"\u003epages\u003c\/span\u003e\u003cspan style='font-family:\"Arial Hebrew Scholar\";mso-hansi-font-family:\"Arial Hebrew Scholar\"'\u003e.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\"I started reading about 2:00 this afternoon and finished a few minutes ago! Could not put it down! You did a wonderful job. You are not only a marvelous researcher; you write beautifully. And movingly! ... Congratulations! I hope you sell a zillion copies!\"\u003cbr\u003e\r\n\t\u003cem\u003e- Tinsley Yarbrough\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\"Linda Alexander has painstakingly researched and uncovered heretofore unknown facts and information about 'Rocky' that gives us a fuller and more truthful picture of the man.\"\u003cbr\u003e\r\n\t\u003cem\u003e- Western Clippings\u003c\/em\u003e\u003cbr\u003e\r\n\t\u003cbr\u003e\r\n\t\"Fun\" \u003cem\u003e- Western Clippings\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195194310750,"sku":"hqp1787291771614","price":20.1,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/i-am-mister-ed-allan-rocky-lane-revealed-paperback_1.jpg?v=1787291777"},{"product_id":"the-cantor-buried-tales-paperback","title":"THE CANTOR BURIED TALES (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThis is Mrs. Gari’s fourth book published by BearManor Media.\u003cbr\u003e  \u003cbr\u003e You’ll meet many celebrities, such as Al Jolson, Groucho and Harpo Marx, Jimmy Cagney, Dinah Shore, Fanny Brice, Bert Williams, Danny Kaye, songwriter Jimmy McHugh and many more.\u003cbr\u003e  \u003cbr\u003e You’ll also become acquainted with the extraordinary “ordinary” people who populated Janet’s life.\u003cbr\u003e  \u003cbr\u003e The book may read like a novel, but it’s a very true story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"I really enjoyed reading it. So many wonderful stories. It brought back so many memories of my own early days.\"\u003cbr\u003e\u003cspan style=\"font-style: italic;\"\u003e- Mel Brooks\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eRemembering Janet Cantor Gari\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195194343518,"sku":"lag1787291775063","price":14.52,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-cantor-buried-tales-paperback_1.jpg?v=1787291780"},{"product_id":"nobodys-stooge-ted-healy-by-bill-cassara-paperback","title":"NOBODY'S STOOGE: TED HEALY by Bill Cassara (paperback)","description":"\u003cp\u003e\u003cbr\u003e\u003cimg style=\"width: 300px;\" data-filename=\"logo-intl book awards.jpg\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eFinalist: International Book Awards 2015\u003c\/em\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eHuffington Post ranks \"Nobody's Stooge\" as one of the best film books of the year!\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eBy the author of \u003cem\u003eEdgar Kennedy-Master of the Slow Burn\u003c\/em\u003e and \u003cem\u003eVernon Dent-Stooge Heavy.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eVisit the author's website\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003ehttps:\/\/www.billcassarabooks.com\/\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eDiscover the missing back-story of the dawn of The Three Stooges in this groundbreaking full-length biography of Ted Healy.\u2028 \u2028Millions of comedy movie fans still enjoy watching The Three Stooges, but few know the Ted Healy story or the mysterious circumstances that surrounded his untimely death. He began his show business career in Vaudeville and climbed to the pinnacle of fame as a movie star, appearing in dozens of films, such as \u003cem\u003eDancing Lady\u003c\/em\u003e (1933) with Joan Crawford and Clark Gable, \u003cem\u003eFugitive Lovers\u003c\/em\u003e (1934) with Robert Montgomery, \u003cem\u003eOperator 13\u003c\/em\u003e (1934) with Gary Cooper and Marion Davies, \u003cem\u003eReckless \u003c\/em\u003e(1935) with Jean Harlow, and the Academy Award-winning \u003cem\u003eSan Francisco\u003c\/em\u003e (1936) with Jeanette MacDonald, Spencer Tracy, and Gable.\u2028 \u2028Healy's sudden death at age forty-one just days after the birth of his son has long been surrounded in mystery and scandal. Was his death by natural causes or did foul play involving an alleged MGM\/Wallace Beery murder cover up the truth?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eAuthor Bill Cassara, a retired law enforcement professional, digs deep into the annals of film history to uncover the riveting, tragic, and at times hilarious truth about Ted Healy, the unjustly forgotten, innovative funnyman. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eIncludes a richly detailed biography that draws from many never before seen sources, a Filmography, photos and illustrations, an Index, and a Bibliography\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"If he is remembered at all, Ted Healy is known as the man who assembled the trio that came to be known as The Three Stooges. Little is known about the comedian himself, a boyhood friend of Moe Howard who went on to achieve considerable success on stage and screen. Bill Cassara, a retired police Internal Affairs sergeant, has employed his investigative skills and keen interest in movie comedy to research biographies of Edgar Kennedy and second-banana Vernon Dent. Now he turns his attention to Healy and comes up with “the goods.” He even devotes an entire chapter to the rumors and lore surrounding his mysterious death in 1937. Comedy buffs will welcome this thorough biography, filled with rare photos and newspaper clippings, along with a wonderful new drawing of Healy by Drew Friedman.\"\u003cbr\u003e\u003cem\u003e-- Leonard Maltin\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"\u003cem\u003eNobody's Stooge\u003c\/em\u003e is a must-have for Three Stooges fans, people who love MGM films of the ‘30s, and movie scholars who want to learn more about one of the most respected entertainers of his era.\"\u003cbr\u003e\u003cem\u003e-- inthebalcony.com\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"Film biographies must be well-written and about interesting people. \u003cem\u003eNobody’s Stooge: Ted Healy\u003c\/em\u003e is both. For fans of 1930s movies, and certainly for the millions of Three Stooges fans, this book is definitely a must-have.\"\u003cbr\u003e-- examiner.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"Where Cassara stands out in compiling this information is in interpreting it through an eye trained for forensics.\"\u003cbr\u003e-- immortalephemera.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eRead the First 10 Pages Here\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview by Greenbriar Picture Shows\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview from Immortal Ephemera\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eAuthor's interview with Kit Parker Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003eReview from Plan Nine Crunch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-style: italic;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eInterview from the Junot Files\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/yRd8_I43smw\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195194409054,"sku":"xyy1787291775150","price":21.05,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/nobodys-stooge-ted-healy-by-bill-cassara-paperback_1.jpg?v=1787291780"},{"product_id":"george-brent-irelands-gift-to-hollywood-and-its-leading-ladies-paperback","title":"GEORGE BRENT: IRELAND'S GIFT TO HOLLYWOOD AND ITS LEADING LADIES (paperback)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"font-style: italic;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e\u003cspan style=\"color: #000000; font-family: Helvetica; font-size: 12px; font-variant-caps: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; display: inline !important; float: none;\"\u003eBest Book of the Year (2017) - Classic Images\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eBette Davis answered, “George Brent” whenever asked to name her favorite co-star. Her longtime crush on the actor (they teamed in eleven films) culminated in an off-screen affair while filming \u003cem\u003eDark Victory \u003c\/em\u003e(1939) \u003cspan style=\"font-size: 14px;\"\u003efor which she received an Oscar nomination and \u003c\/span\u003e Brent gave what many consider his “finest performance.” Hollywood’s top stars clamored to play opposite Brent, who infused his easy-going warmth into such blockbuster films as \u003cem\u003e42\u003c\/em\u003e\u003cem\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/em\u003e\u003cem\u003e Street \u003c\/em\u003e(1933). Before long, Garbo demanded that MGM cast him opposite her in \u003cem\u003eThe Painted Veil \u003c\/em\u003e(1934). Brent was perfect foil for cinema’s leading ladies: Ruth Chatterton (his second wife), Ginger Rogers, Loretta Young, Claudette Colbert, Barbara Stanwyck, Myrna Loy, Kay Francis, Olivia de Havilland, Joan Fontaine, Hedy Lamarr, Merle Oberon, and Ann Sheridan (his fourth wife). Not to be pigeonholed Brent’s perfection as the dissipated Englishman in \u003cem\u003eThe Rains Came \u003c\/em\u003e(1939) and surprise turn as the heavy in \u003cem\u003eThe Spiral Staircase \u003c\/em\u003e(1946) fueled the longevity of his career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe personal life of George Brent remained undercover. Upon signing with Warner Bros., studio publicity fabricated a back-story for Brent: a graduate of Dublin University (he dropped out of school at 16); a player in the Abbey Theatre (for which no record exists); a dead mother (who was very much alive); and, a dispatcher for Michael Collins during the Irish Revolution (this . . . was true).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eBrent’s biography offers a fascinating look into the life of Hollywood’s elusive lone wolf.  Scott O’Brien, whose biography on Ruth Chatterton made \u003cem\u003eThe Huffington Post’s \u003c\/em\u003e“Best Film Books of 2013,” abetted by Irish filmmaker Brian Reddin, sheds new light on Ireland’s gift to Hollywood and its leading ladies: George Brent.     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e(Foreword by Wesleyan University’s Chair of Film Studies, Jeanine Basinger.) 331 pages with 125 illustrations capture the glamour and private world of Hollywood’s Golden Age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:1;\n\tmso-generic-font-family:roman;\n\tmso-font-format:other;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 0 0 0 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003eOne of my favorites, Scott O’Brien, has written another excellent biography, \u003cb\u003eGeorge Brent: Ireland’s Gift to Hollywood and Its Leading Ladies \u003c\/b\u003e($29.95, BearManor Media softcover). The title might sound a bit long, but O’Brien’s storytelling ability is first-rate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e      While never a superstar, George Brent (1904-79) was a major name of the 1930s and ‘40s who appeared with top leading ladies: Kay Francis, Barbara Stanwyck, Joan Fontaine, Ruth Chatterton, Ann Sheridan, Greta Garbo, Joan Blondell, Myrna Loy, Loretta Young, Ginger Rogers, Claudette Colbert, Merle Oberon, Olivia de Havilland, Hedy Lamarr, Bette Davis, et al. With the latter, he made 13 films, notably the classics \u003ci\u003eJezebel \u003c\/i\u003e(1938), \u003ci\u003eThe Old Maid \u003c\/i\u003e(1939),  and \u003ci\u003eDark Victory \u003c\/i\u003e(1939). Many have the impression that Brent was a limited actor, used mainly to support a stronger female partner. Dependable is the way he is most often described. Yet, when given the chance, he turned in some really good performances, in particular \u003ci\u003eThe Spiral Staircase \u003c\/i\u003e(1946). Even in his so-called support performances, he brought a strength that was very appealing, attractive and memorable. Proof of this can be seen in regard to \u003ci\u003eThe Old Maid\u003c\/i\u003e. Initially, Humphrey Bogart was the male lead, but he just wasn’t working out, and he was replaced by Brent. Even when he’s off screen, you remember George Brent. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e      In real life, Brent was catnip to the ladies. He was married five times, and three of his wives were actresses: Ruth Chatterton, Constance Worth and Ann Sheridan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e      O’Brien adds much to our understanding of Brent. He was a complicated man, not easy to like and sometimes difficult, but I can honestly say that the author etches a fascinating portrait that shows both sides of his personality. Brent might not have been easy to know, but I found him ultimately likable. He often preferred to be a “lone wolf,” and O’Brien conveys this aspect beautifully. How his difficult childhood affected his subsequent life is eye-opening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e      It goes without saying that the author has done a tremendous amount of research, and this includes getting Brent’s family involved for a more personal inside look. We have always heard of Brent’s colorful life in Ireland: Dublin University graduate, Abbey Theatre player, and his time with Michael Collins during the Irish Revolution. His childhood has been murky, at best. I cannot even imagine getting to the bottom of all this, especially when it concerns a different country. The research would be a killer. O’Brien, as always, makes it look easy and sorts fact from fiction. His sources are extensive and, unlike hack writers, O’Brien provides pages of documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e      The movies are not neglected. O’Brien has a rare skill in describing movies and their memorable and not-so-memorable moments. He truly loves film and whether it is good or bad, it will get a fair assessment. Brent is usually relegated to that “dependable” tag, so to see an analysis of all his performances is welcome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e      You will find no dirt here, just an excellent, honest and well-written biography of an under-appreciated actor at last getting his due. Icing on the cake: 125 illustrations, including one from 1926, before Brent’s nose job. Talk about shocking! Foreword is by the terrific Jeanine Basinger.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto;\"\u003e\u003cspan style=\"font-style: italic;\"\u003e\u003cspan style=\"font-family: Helvetica; mso-bidi-font-family: 'Times New Roman'; color: black;\"\u003e- Laura Wagner, Classic Images\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRead the First 10 Pages Here\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":43195194376286,"sku":"txx1787291775062","price":18.27,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/george-brent-irelands-gift-to-hollywood-and-its-leading-ladies-paperback_1.png?v=1787291780"},{"product_id":"eddie-dean-the-golden-cowboy","title":"EDDIE DEAN: THE GOLDEN COWBOY","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eSinging cowboy star Eddie Dean rode high, wide, and handsome on the movie screens in the 1940s. The Texas-born wrangler galloped through 55 films, starring in 20 of them and was voted one of the most popular Western stars of his time. He was the first to have his own series of Western movies filmed in color. The singing cowpuncher with the rich baritone voice was known as “The Golden Cowboy” and enjoyed a recording, stage, and club popularity long after his movie career ended.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eDean also helped to compose a pair of hit songs that have since become staples in the Country-Western music world. His talents and gifted abilities were many, some claiming it was due to the fact that he was born a seventh son, of a seventh son, of a seventh son.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eEddie Dean’s long-awaited life story has now been told, detailing his struggles to “pay his dues” in the business to coming out on top as one of the most beloved and illustrious Western stars in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eStephen Fratallone is an award-winner writer, author and former publisher of Jazz Connection, an on-line magazine about jazz and Big Band music. He has co-authored three published books on Big Band Era musicians: Hey! The Band's Too Loud by Del Courtney, Band Singer by Garry Stevens, and From Harlem to Hollywood by Van Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"Would that every book on our B Western heroes be as thoroughly researched as EDDIE DEAN, THE GOLDEN COWBOY. Working with family members, audio tapes saved by Eddie and people who knew Eddie well (Andy Parker’s son Joe, Marilyn Tuttle, and others) you can clearly hear Eddie’s rich golden voice on every\u003cbr\u003epage. With amazing detail author Stephen Fratallone traces Eddie\u003cbr\u003eand brother Jimmie’s lives from inception, through Eddie’s lean\u003cbr\u003eyears, his many varied radio and singing jobs until he at\u003cbr\u003elast connected in Hollywood for 19 starrers at PRC.\u003cbr\u003eComplimenting Eddie’s story is the rich background and\u003cbr\u003eanecdotal detail Fratallone provides on nearly everyone\u003cbr\u003eEddie came in contact with—Virgil Stamps, Wayne King,\u003cbr\u003eFoy Willing, Johnny Sloan, Lulu Belle and Scotty, Max\u003cbr\u003eTerhune, Hoosier Hotshots, Sunshine Boys, Art\u003cbr\u003eSatherly, Gene Autry, Smiley Burnette, Ken Darby, Fred\u003cbr\u003eRose, Johnny Bond, Judy Canova, Les Paul and Mary\u003cbr\u003eFord, on and on. Radio, personal appearances, recordings,\u003cbr\u003emovies—all are lovingly detailed.\"\u003cbr\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e—\u003c\/span\u003eWestern Clippings\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e\u003cimg src=\"https:\/\/www.bearmanormedia.com\/image\/catalog\/DeanReview.jpg?width=700\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eRead the First 10 Pages Here\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195194441822,"sku":"btz1787291776064","price":19.77,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195194474590,"sku":"ywy1787291776065","price":33.93,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/eddie-dean-the-golden-cowboy_1.jpg?v=1787291781"},{"product_id":"michael-landon-the-career-and-artistry-of-a-television-genius","title":"MICHAEL LANDON: THE CAREER AND ARTISTRY OF A TELEVISION GENIUS","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003eMichael Landon: The Career and Artistry of a Television Genius\u003c\/em\u003e is a long overdue appreciation of Landon’s work as an actor, writer and director across more than three decades of television history.  Included are details of his numerous guest star appearances, his accomplishments as a director, as well as an examination of every episode he wrote for \u003cem\u003eBonanza, Little House on the Prairie\u003c\/em\u003e and \u003cem\u003eHighway to Heaven\u003c\/em\u003e. Illustrated with publicity and production stills, and featuring a foreword written by his wife, Cindy Landon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e“I am grateful that one of Michael’s greatest admirers has devoted an entire book to a serious study of his productions, and I hope readers will appreciate David Greenland’s efforts as much as I do.”\u003cbr\u003e\u003cem\u003e-- Cindy Landon\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"MICHAEL LANDON: THE CAREER AND ARTISTRY OF A TELEVISION GENIUS quickly covers Landon’s early life and initial screen career before author David Greenland (respected author of BONANZA VIEWER’S GUIDE and GUNSMOKE CHRONICLES) launches into a lengthy and glowing dissertation of the 330 hours of TV programming Michael produced (“Bonanza”, “Little House on the Prairie”, “Highway to Heaven”, TV movies). “With an IQ of 159 Landon was an authentic genius and he used that gift to make discoveries where no one else thought looking,” writes Greenland. “Michael was concerned with making this world a better place and shared his vision with us for over three decades. Recognizing and celebrating the filmed legacy he left behind is the purpose of this book.” Foreword by Cindy Landon. Well done, David.\"\u003cbr\u003e\u003cem\u003e- Western Clippings \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cstrong\u003eRead the First 10 Pages Here\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195194507358,"sku":"hmx1787291776999","price":16.0,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195194540126,"sku":"efj1787291777000","price":23.8,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195194572894,"sku":"iya1787291777001","price":5.04,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/michael-landon-the-career-and-artistry-of-a-television-genius_1.jpg?v=1787291782"}],"url":"https:\/\/truestylefashion.shop\/collections\/male-stars.oembed","provider":"Minha loja","version":"1.0","type":"link"}