{"title":"Music","description":"\u003cp\u003eBrowse our Music collection. Hot Sale.\u003c\/p\u003e","products":[{"product_id":"houtebeen-an-oratorio-for-male-chorus-strings-accordions-and-percussion","title":"Houtebeen - An Oratorio for Male Chorus, Strings, Accordions, and Percussion","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eHoutebeen - An Oratorio for Male Chorus, Strings, Accordions, and Percussion\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eCopyright ©2025 by John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e262 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003eThe historical oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, was commissioned in 2013 by Accordeonensemble Alphen Opus 2 and Rotterdams Jongemannenkoor De Coolsingers, both under the direction of conductor Sergé Latychev. The hour-long work was scored for male chorus, tenor soloist, accordion ensemble, string ensemble, percussion, synthesizer, and narrator and depicted the career of Cornelis Corneliszoon Jol (1597-1641) in 29 musical episodes. Nicknamed \"Houtebeen\" (“Peg Leg”), Jol was an admiral of the Dutch West India Company during the Eighty Years' War. He was a notorious privateer, who captured vast amounts of treasure during his raids on Spanish and Portuguese ships laden with gold and silver. Jol distinguished himself by his unparalleled courage, his great skill as a navigator and his humane treatment of prisoners of war (this in contrast to many buccaneers, who simply threw the crews of captured ships overboard). He received his nickname \"Houtebeen\" after he was wounded in a battle and had to have one of his legs amputated and replaced by a wooden leg. The oratorio juxtaposes musical episodes illustrating many of Jol’s adventures with meditative songs, the lyrics of which were composed by Dutch poets, such as Daniël Heinsius (1580–1655), Simon van Beaumont (1588–1637), Jan Vos (1610–1667), and Carel Vosmaer (1828–1888).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195208990814,"sku":"qwr1787292152195","price":24.32,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195209023582,"sku":"gri1787292152196","price":28.6,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195209056350,"sku":"hbs1787292152197","price":10.95,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/houtebeen---an-oratorio-for-male-chorus-strings-accordions-and-percussion_1.jpg?v=1787292157"},{"product_id":"scenes-from-the-jungle-a-romantic-opera-in-two-acts-full-score","title":"Scenes from the Jungle - A Romantic Opera in Two Acts (Full Score)","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eScenes from the Jungle - A Romantic Opera in Two Acts (Full Score)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e256 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eCommissioned by the Dutch Ensemble Opus Two in 2017, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e, a multi-media romantic opera in two acts, was loosely based on Edgar Rice Burroughs’s 1912 novel, \u003ci\u003eTarzan of the Apes\u003c\/i\u003e, in the Dutch translation by W.J.A. Ronaldus, Jr. The work was scored for three singers playing eight different roles, an orchestra of eleven accordions and three percussionists performing on xylophone, timpani, djembe, bass drum, timbales, snare drum, bongo drums, cymbals, gongs, claves, and rattles. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-indent: .25in;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eOf historical importance is the fact that \u003ci\u003eScenes from the Jungle\u003c\/i\u003e is the first opera composed and orchestrated especially for an accordion orchestra. An accordion orchestra was chosen, rather than a more traditional ensemble to give the audience a sense of alienation with this sound; the same feeling that the characters experience in a strange environment. As the opera progresses, the sound of accordions becomes familiar to the audience, just as the characters become more familiar with their surroundings. The music of the opera is very eclectic to create a sense of familiarity and surprise. Musical styles range from easily accessible silent film music to contemporary atonality, African rhythms, jazz, and evocations of Puccini, Korngold, and Bernstein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-indent: .25in;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eThe opera employs multimedia through the projection of sequences from the 1918 silent film \u003ci\u003eTarzan of the Apes\u003c\/i\u003e, as well as images of modern metaphorical jungles (big cities such as New York City) and fear-accentuating effects to evoke the lions and apes from the film. In order to maintain a cinematic illusion throughout the opera, written silent-film-like narration is projected, as well as images of the various physical environments suggested in the opera. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-indent: .25in;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eScenes from the Jungle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003e began touring the Netherlands in the spring of 2019 with Anouk Antonissen, soprano, Luke Mitchell, tenor, and Fernando Linares-Correa, baritone. The production was conducted by Hans Barten and directed by Malou Cranes. A proposed tour of the eastern United States to follow was abandoned due to the emergence of Covid-19.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his cantata, \u003ci\u003eJoppenszoon,\u003c\/i\u003e toured the Netherlands in 2024-2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195209089118,"sku":"ndm1787292155730","price":26.86,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195209121886,"sku":"ehl1787292155731","price":34.65,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195209154654,"sku":"dah1787292155732","price":8.04,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/scenes-from-the-jungle---a-romantic-opera-in-two-acts-full-score_1.png?v=1787292161"},{"product_id":"joppenszoon-a-cantata-for-tenor-and-baritone-accordion-ensemble-and-percussion","title":"Joppenszoon - A Cantata for Tenor and Baritone, Accordion Ensemble, and Percussion","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eJoppenszoon - A Cantata for Tenor and Baritone, Accordion Ensemble, and Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e128 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eComposed to celebrate the 450\u003csup\u003eth\u003c\/sup\u003e anniversary of\u003ci\u003e \u003c\/i\u003ethe liberation of Leiden on 3 October 1574 from Spain during the Eighty Years War, \u003ci\u003eJoppenszoon\u003c\/i\u003e is the musical depiction of events in the Netherlands during the summer and autumn of that year as seen through the eyes of Cornelis Joppensz, called Jappenszoon, the young boy who is credited as the first observer of the Spanish retreat, and Ghijsbert Cornelisz Schaeck, the young soldier who is believed to have discovered the \u003ci\u003ehutspot\u003c\/i\u003e (a kind of stew), left behind by the Spanish army. An historical cantata in ten episodes, the music of \u003ci\u003eJoppenszoon\u003c\/i\u003e is influenced by Dutch folk music, \u003cspan style=\"color: #1d2228; background: white;\"\u003eTrouvère ballads, and Protestant hymns and scored for accordion ensemble, tenor and baritone vocalists, and two percussionists (Timpani, Chimes, Snare Drum).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195209187422,"sku":"pwc1787292155816","price":18.75,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195209220190,"sku":"cpf1787292155817","price":23.1,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195209252958,"sku":"lkq1787292155818","price":5.84,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/joppenszoon---a-cantata-for-tenor-and-baritone-accordion-ensemble-and-percussion_1.jpg?v=1787292161"},{"product_id":"desire-under-the-elms-incidental-music-for-orchestra","title":"Desire Under the Elms - Incidental Music for Orchestra","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eDesire Under the Elms - Incidental Music for Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eJohn Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e83 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717883\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717890\u003cspan style=\"mso-tab-count: 1;\"\u003e  hardback\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 12.0pt; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e was commissioned by the School of Theatre at Florida State University for the production of Eugene O’Neill’s play, \u003ci\u003eDesire Under the Elms\u003c\/i\u003e, directed by Gil Lazier, opening at the Richard G. Fallon Theatre on 7 March 1980. John Franceschina’s incidental music portrayed the dark and dissonant atmosphere of the fatal attraction between Eben Cabot and his father’s new young bride that ultimately results in infanticide and desolation. Divided into twenty-three individual cues, the dramatically compelling music was scored for piccolo, flute, oboe, clarinet in B flat, bass clarinet, bassoon, contrabassoon, 2 horns in F, 2 trumpets in B flat, 2 trombones, vibraphone, timpani, percussion (snare drum, suspended cymbal, wood block, temple blocks, accordion, and strings. Features writer for the \u003ci\u003eFlorida Flambeau\u003c\/i\u003e (7 March 1980), Chris Farrell, wrote: “John Franceschina, who wrote the music for this production, also deserves praise, in much the same way as the set, he provides an emotional atmosphere that ties the pieces of this play in an impressive whole.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 12.0pt; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195209285726,"sku":"few1787292155891","price":16.32,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195209318494,"sku":"gtq1787292155892","price":24.15,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195209351262,"sku":"flk1787292155893","price":6.08,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/desire-under-the-elms---incidental-music-for-orchestra_1.png?v=1787292161"},{"product_id":"concerto-for-accordion-and-orchestra","title":"Concerto for Accordion and Orchestra","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eConcerto for Accordion and Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eJohn Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e87 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN \u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e9798887718354\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887718361 hardback\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eThe \u003ci\u003eConcerto for Accordion and Orchestra\u003c\/i\u003e was commissioned in 1986 by the American Accordionists’ Association as a test piece for the 1987 Coupe Mondiale competition. In three movements, the free-bass composition explores the diverse technical capabilities and tonal colors of the accordion in the context a dialogue between that instrument and a symphony orchestra. The first movement, Fantasy, is a freeform construction, improvisatory in nature that makes great technical demands on the performer; the second movement, Nocturne, is a simple arioso designed to feature the cantabile ability of the instrument; and the third movement, Caprice, is a playful, rondo-like scherzo that incorporates motifs from the two earlier movements in a virtuosic display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eThe \u003ci\u003eConcerto\u003c\/i\u003e was published in 1986 by Ernest Deffner Publications in a reduction for accordion and piano. In a preface to that publication, Faithe Deffner, the President of the American Accordionists’ Association, wrote:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e“John Franceschina’s \u003ci\u003eConcerto for Accordion and Orchestra\u003c\/i\u003e is a noteworthy addition to the literature for our instrument, resulting from the American Accordionists’ Association’s long-term commissioning program.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eSince the inception of our organization in 1938, AAA’s board of governors has supported efforts to enlarge the original music repertory of the accordion. We hold the conviction that the accordion will be perceived as a serious and significant member of the musical instrument family when it can boast a body of original literature, utilizing the many unique musical capabilities of the instrument, in addition to the artistry and technical proficiency which has already been attained by many of today’s accomplished accordionists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eThis new work addresses the accordionists’ need for orchestral music which will highlight the instrument. We believe that concert accordionists will find this \u003ci\u003eConcerto\u003c\/i\u003e to be an excellent vehicle for our instrument.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eOur thanks to the very talented composer, John Franceschina, for an outstanding composition.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eThe present edition of the \u003ci\u003eConcerto\u003c\/i\u003e makes available, for the first time in print, the full orchestral score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195209384030,"sku":"pfi1787292158458","price":13.64,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195209416798,"sku":"ggz1787292158459","price":25.74,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195209449566,"sku":"yvt1787292158460","price":5.6,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/concerto-for-accordion-and-orchestra_1.jpg?v=1787292164"}],"url":"https:\/\/truestylefashion.shop\/collections\/music.oembed","provider":"Minha loja","version":"1.0","type":"link"}