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Ever wonder about riding beside James Dean in his Porsche\r\nSpeedster, zipping around the curves of Mulholland Drive, or staying at Errol\r\nFlynn's house and sleeping in the bedroom with the infamous hole in the\r\nmirrored ceiling?\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Arial\"\u003eI did all that. I also\r\nshared a secret with Marilyn Monroe. I acted in a movie with Alan Ladd and Lana\r\nTurner. I raced motorcycles with Clark Gable on Ventura Boulevard. I painted\r\nRita Hayworth's house. I was invited to tea by James Mason. I went to the Hollywood\r\nBowl with Jayne Mansfield and Louella Parsons, and I hung out with Flynn and\r\ncountless other stars at the sordid Garden of Allah? \u003c\/span\u003e\u003cspan style='font-family:\"MS Mincho\";mso-bidi-font-family:\"MS Mincho\"'\u003e\u2028\u2028\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Arial\"\u003eAs a fledgling actor,\r\npart-time house painter, parking attendant, \"snoop\" for the Fred\r\nOtash Detective Agency, and manager of Googie's—a celebrated coffee shop next\r\nto Schwab's drug store—I was in the catbird seat, privy to all the gossip,\r\nbrawls, and excitement that nightly took place at the Mocambo, Ciro's, The\r\nPlayers, Crescendo, Villa Nova, and other glamorous night spots along the\r\nStrip. 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The artwork was done by Paula.","brand":"Saunders Productions","offers":[{"title":"Default Title","offer_id":43195189559390,"sku":"rml1787291621035","price":20.69,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/watercolor-8x10-rustic-framed-ducks_1.jpg?v=1787291626"},{"product_id":"dont-make-me-peck-you-latte-mug","title":"Don't Make Me Peck You Latte Mug","description":"Don't Make Me Peck You Latte Mug : \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 16oz \u003c\/li\u003e\n\u003cli\u003eMicrowave safe\u003c\/li\u003e\n\u003cli\u003eDishwasher safe\u003c\/li\u003e\n\u003cli\u003e4\" x 5.75\" x 5.25\"H\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Creative Sourcing Group, Inc.","offers":[{"title":"Default Title","offer_id":43195189592158,"sku":"cbx1787291621117","price":8.18,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/dont-make-me-peck-you-latte-mug_1.jpg?v=1787291626"},{"product_id":"bobby-deen-everyday-eats-cookbook","title":"Bobby Deen Everyday Eats Cookbook","description":"Bobby Deen Everyday Eats Cookbook:\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith 120 new, simple, mouthwatering recipes—all under 350 calories—that can be prepared from start to finish in under 30 minutes.\u003cbr\u003e• Light and Easy Scallops and Grits • Deviled Egg Salad • Lightened-Up Beer Cheese Soup • Peachy Pulled BBQ Chicken • Mustard-Rubbed Flank Steak • Grilled Whole-Wheat Flatbreads • Shrimp Coconut Curry • Cajun Ratatouille Bake • Creamy Spinach Polenta • Hot Roasted Green Beans with Sweet Chili • Zucchini Corn Fritters • Strawberry Angel Food Cake • Lighter Chocolate-Mint Shakes • and so much more\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Penguin\/Random House","offers":[{"title":"Default Title","offer_id":43195189624926,"sku":"rot1787291623302","price":11.72,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/bobby-deen-everyday-eats-cookbook_1.jpg?v=1787291628"},{"product_id":"turtle-band-seaweed-green","title":"Turtle Band Seaweed Green","description":"\u003cp\u003eDie neuen Turtle Bands in lebendigen Farben sind mit dem begehrten Turtle Anhängern verziert und verbinden den typischen Paul Hewitt Flair mit dem beliebtesten maritimen Symbol. Hergestellt aus recyceltem Plastik (rPET) und in Einheitsgröße erhältlich, ermöglicht dieses ready-to-wear Armband dir, deinen individuellen Stil zu unterstreichen und gleichzeitig einen Beitrag zur Nachhaltigkeit zu leisten.\u003c\/p\u003e","brand":"Default","offers":[{"title":"Default Title","offer_id":43195189657694,"sku":"thk1787291624237","price":31.39,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/turtle-band-seaweed-green_1.png?v=1787291629"},{"product_id":"sehnengerauschdampfer-buffer","title":"Sehnengeräuschdämpfer Buffer","description":"\u003cp style=\"margin-top:0;\"\u003eDer Sehnengeräuschdämpfer Buffer vermindert das Sehnengräusch deutlich und macht auch den lautesten Bogen angenehm leise.\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eInhalt: 1 Paar Sehnengeräuschdämpfer\u003c\/li\u003e\n\u003cli\u003eMaterial: zweifarbige Wolle\u003c\/li\u003e\n\u003cli\u003eZubehör: Montageanleitung\u003c\/li\u003e\n\u003c\/ul\u003eMontageanleitung downloaden","brand":"Bearpaw Products","offers":[{"title":"Default Title","offer_id":43195189690462,"sku":"pso1787291626168","price":4.15,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/sehnengerauschdampfer-buffer_1.png?v=1787291631"},{"product_id":"the-new-england-comic-book-store-owners","title":"The New England Comic Book Store Owners","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe New England Comic Book Store Owners\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Christopher Denmead\u003ci\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e144 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003epaperback ISBN 9798887717074\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003ehardback ISBN 9798887717081\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003eThe New England Comic Book Store Owners is a look at the lives of comic Shop retailers and the love for their stores, their products and both their customers and their employees.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003eDive deep-into what keeps them going day to day and how they survive a crazy business environment in New Hampshire, Massachusetts, Vermont, Connecticut, Maine, and Rhode Island.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003eNew project from the author here.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197259870,"sku":"bgu1787291927258","price":14.4,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197292638,"sku":"eow1787291927259","price":21.7,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195197325406,"sku":"zhc1787291927260","price":5.92,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-new-england-comic-book-store-owners_1.jpg?v=1787291932"},{"product_id":"cinema-bizarro-the-weird-kids-guide-to-particularly-odd-horror-and-sci-fi-movies","title":"Cinema Bizarro - The Weird Kid’s Guide to Particularly Odd Horror and Sci-Fi Movies","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eCinema Bizarro - The Weird Kid’s Guide to Particularly Odd Horror and Sci-Fi Movies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'TimesNewRomanPSMT',serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-font-kerning: 0pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eEditors: Steven Peros \u0026amp; Mark Bailey\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'TimesNewRomanPSMT',serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-font-kerning: 0pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eReviews by Larry Blamire, Dan Madigan, Tracy Mercer, Steven B. Orkin, Mike Peros, Steven Peros, Nadia Robertson, Brian R. Solomon, Phoef Sutton, Mark Bailey, Steven B. Orkin\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'TimesNewRomanPSMT',serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-font-kerning: 0pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'TimesNewRomanPSMT',serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e172 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'TimesNewRomanPSMT',serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 12.0pt; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eISBN 9798887716794 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 12.0pt; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eISBN 9798887716800 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 12.0pt; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'TimesNewRomanPSMT',serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eTHE THIRD ENTRY IN THE RONDO AWARD NOMINATED MONSTER MOVIE BOOK SERIES!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eFrom the creators of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Bug Cinema - A Monster Kid’s Guide\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Beast Cinema - A Monstrous Movie Guide\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, both of which reached the Top Ten on Amazon for Horror Movie Books, comes \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eCinema Bizarro\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e — a celebration of killer plants, eccentric aliens, and weird westerns! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eFeaturing insanely insightful reviews of 38 movies (plus 30 capsule reviews of Weird Westerns of the 1930’s and 1940’s), take a very unsafe tourbus through a terrifying terrain filled with sight-stealing triffids, alien gorillas in diving helmets, and the vampires ’n’ dinosaurs that vexed the wild west. Let \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eCinema Bizarro\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e envelop you in its loving embrace like the cool, slimy clutches of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eThe Blob\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eThe contributors are: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eLarry Blamire - Rondo-Award winning film historian and cult filmmaker of Sony’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eThe Lost Skeleton of Cadavra, Giant Beast Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eDan Madigan - former Writer for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eWWE\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, screenwriter\/creator of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eSee No Evil\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e franchise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eTracy Mercer - \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Beast Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, Host, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eMy Favorite Shtty Movie\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e podcast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eMike Peros - \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eJosé Ferrer: Success and Survival, Dan Duryea: Heel with a Heart,\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Beast Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, film critic for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eNoho Arts District\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-fareast-font-family: Helvetica-Oblique; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eSteven Peros - Co-Editor\/Contributor to \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Beast Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, screenwriter of Peter Bogdanovich’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eThe Cat’s Meow\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eNadia Robertson - \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eCinema Macabre Magazine, Rock and Roll Nightmares\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, and Co-Host of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eCinema Chats\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e podcast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-fareast-font-family: Helvetica-Oblique; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eBrian R. Solomon - \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGodzilla FAQ, Giant Beast Cinema\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003ePhoef Sutton - Two-time Emmy winning writer for Cheers, co-host of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eFilms Freaks Forever\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e podcast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eMark Bailey - Conceived, designed, and co-edited entire monster book trilogy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-indent: -.5in; line-height: normal; mso-pagination: none; mso-list: l0 level1 lfo1; tab-stops: 11.0pt .5in; mso-layout-grid-align: none; text-autospace: none; margin: 0in 0in 0in .5in;\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-fareast-font-family: Helvetica; mso-font-kerning: .5pt;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e•\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eSteven B. Orkin - Copy editor for monster book trilogy, Winner of Stephen King’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eOn Writing\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e contest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003eAs with the two earlier books, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eCinema Bizarro\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e explores this arena up until the accepted end of the “Monster Kid Era” — 1968 (although we did sneak in one entry from 1969 because, hey, it was from The Master, Ray Harryhausen!).\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eBut rest assured, plans are afoot to bring our readers second volumes of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Bug Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eGiant Beast Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica-Oblique',sans-serif; mso-bidi-font-family: Helvetica-Oblique; mso-font-kerning: .5pt;\"\u003eCinema Bizarro\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: .5pt;\"\u003e, which will take readers into the gonzo 1970’s, 1980’s and beyond.\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003ehttps:\/\/www.eventbrite.com\/e\/cinema-bizarro-book-release-celebration-warning-from-space-screening-tickets-1263601649549\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197358174,"sku":"xyz1787291926973","price":19.25,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197390942,"sku":"zxi1787291926974","price":22.32,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/cinema-bizarro---the-weird-kids-guide-to-particularly-odd-horror-and-sci-fi-movi_1.jpg?v=1787291932"},{"product_id":"making-mischief-the-intern-diaries","title":"Making Mischief: The Intern Diaries","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003eMaking Mischief: The Intern Diaries\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003eby Marjorie Short\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003e324 Pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003ePaperback ISBN \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: black;\"\u003e9798887717289\u003c\/span\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003eHardback ISBN \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri; color: black;\"\u003e9798887717296\u003c\/span\u003e\u003cspan style=\"mso-bidi-language: AR-SA;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e“Screenwriter William Goldman said that the most exciting day of your life is your first day on a movie set, and that the most boring day of your life is your second day on a movie set. Yet, if you know what’s going on, it’s not boring; it’s a fascinating lesson in a process that few outsiders are ever permitted to witness. Films are assembled from hundreds and sometimes thousands of individual pieces, and this astute behind-the-scenes journal records how all those details came about on a daily basis and resulted in a movie called \u003ci style=\"mso-bidi-font-style: normal;\"\u003eMischief\u003c\/i\u003e. It gives rare and intimate insight into the way every motion picture, with only slight variations, is born\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e.” \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eEditor’s Note:\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNat Segaloff\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'Adobe Caslon Pro',serif; mso-bidi-font-family: 'Adobe Caslon Pro'; font-variant: small-caps; color: black; mso-themecolor: text1; letter-spacing: -.05pt; mso-style-textoutline-type: none; mso-style-textoutline-outlinestyle-dpiwidth: .75pt; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-bidi-language: AR-SA;\"\u003eMarjorie Short\u003c\/span\u003e\u003cspan style=\"font-size: 14.0pt; font-family: 'Adobe Caslon Pro',serif; mso-bidi-font-family: 'Adobe Caslon Pro'; color: black; mso-themecolor: text1; letter-spacing: -.05pt; mso-style-textoutline-type: none; mso-style-textoutline-outlinestyle-dpiwidth: .75pt; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-bidi-language: AR-SA;\"\u003e is an Oscar-nominated filmmaker, and member of the Academy of Motion Picture Arts and Sciences in the Documentary Branch. She has credits in documentary films, commercials, corporate media, feature films, and television. She co-authored two original screenplays. She has developed numerous documentary, feature film, and television projects. She has been a model, actress, and flamenco dancer. She sings with the Cantemus Chamber Chorus, and lives in Beverly, Massachusetts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197423710,"sku":"ven1787291927487","price":19.5,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197456478,"sku":"bxs1787291927488","price":31.92,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195197489246,"sku":"ssx1787291927489","price":5.04,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/making-mischief-the-intern-diaries_1.jpg?v=1787291932"},{"product_id":"sherlock-holmes-at-universal-1942-1946-volume-1","title":"Sherlock Holmes at Universal (1942-1946) Volume 1","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eSherlock Holmes at Universal (1942-1946) Volume 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Scott Allen Nollen and Kris Allen Marentette\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e400 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eSHERLOCK HOLMES at Universal\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eMore than 40 years ago, American Scott Allen Nollen [aka \"Doctor Merrivale\"] and Canadian Kris Allen Marentette [aka \"Captain Simpson”] became fast friends after sharing their mutual admiration for the 60 Sherlock Holmes stories by Sir Arthur Conan Doyle and the classic series of 14 films starring Basil Rathbone and Nigel Bruce inspired by them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eAuthor of the critically acclaimed 1996 book \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eSir Arthur Conan Doyle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eat the Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, Nollen hatched the idea for this new volume on Sherlock Holmes cinema by persuading Marentette to share with the world his unprecedented, comprehensive collection of rare, original Universal memorabilia from the studio’s 12-film Rathbone and Bruce series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eA preface by each Holmes aficionado opens \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eSir Arthur Conan Doyle’s SHERLOCK HOLMES at Universal (1942-1946)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, in which they recount their respective personal adventures in studying the films, collecting original photographs, posters, pressbooks, scripts, studio documents and artwork, and corresponding with, meeting and befriending many cast and crew members who worked on the series. Included are many reminiscences from Marentette’s close friends, John Abbott and Ian Wolfe, and Nollen’s close friend and literary collaborator, Michael A. Hoey (son of Dennis [\"Inspector Lestrade’’] Hoey). Even Sir Arthur Conan Doyle's daughter, Dame Jean Conan Doyle, made a contribution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eA chapter on the two 20th Century-Fox films is followed by a separate chapter on each of the 12 Universal titles, featuring an illustrated history covering development, production and exhibition, as well as an exhaustive analysis, comparing the script with the finished product and identifying every minute representation of the original Conan Doyle stories. 600 images of rare Universal Sherlock Holmes memorabilia from the Marentette collection are included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eNo matter how often a fervent fan has watched the Rathbone and Bruce series, Sir Arthur Conan Doyle's \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eSHERLOCK HOLMES at Universal (1942-1946)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e will prove that there is much more than first meets the eye in these perennially popular detective films. Using it as a guide will ensure that no one can accuse the reader of what the literary Holmes levels at Watson in \"A Scandal in Bohemia\": \"You see, but you do not observe!\"\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cbr\u003e\u003cspan\u003e\"Sherlock Holmes at Universal (1942-1946), Volume 1, by Scott Allen Nollen and Kris Allen Marentette (Orlando: BearManor, 2025; 395 pp., $33.00), is a grand exploration of the Rathbone\/Bruce films, with a chapter on the two made with 20th-Century Fox and then a chapter each for the first six made with Universal.  The authors are dedicated enthusiasts who dig deeply into each film, discussing scripts and finished films, and offering hundreds of illustrations that include lobby cards and publicity portraits.  They have interviewed actors and writers, and tell many stories about the people who worked on the series.  One can assume that the second volume, covering the remaining six Universal films, will be just as through and interesting.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- newsletter for Sherlockians and Doyleans\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eReturn with us to 221B Baker Street in the 1940s when Sherlock Holmes (Basil Rathbone) and Dr. John Watson (Nigel Bruce) solved mysteries during the war years for 8 Universal Studio matinee adventures!\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOn the next “Flashback with Wes Britton,” meet\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eKris Merentette,\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eco-author of SHERLOCK HOLMES AT UNIVERSAL Vol 1, a researcher who dives into the eight  Rathbone\/ Bruce outings released from 1942-1946.  Hear all about his lavishly illustrated Sherlock Holmes treasury framed with bmusic from Dave Stryker and His Strings an\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJoe Deninzon \u0026amp; Stratospheerius Sat. April 26 at 7:00 p.m. Eastern on the Artistfirst radio network:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ehttps:\/\/www.artistfirst.com\/\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eYou can also stream or download the show anytime that weekend or after at:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ehttps:\/\/www.artistfirst.com\/flashback.htm\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e Scroll down to April 26, 2025 link.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197522014,"sku":"fcu1787291927566","price":21.78,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197554782,"sku":"prg1787291927567","price":30.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/sherlock-holmes-at-universal-1942-1946-volume-1_1.jpg?v=1787291933"},{"product_id":"scenes-from-the-jungle-a-romantic-opera-in-two-acts-vocal-score","title":"Scenes from the Jungle - A Romantic Opera in Two Acts (Vocal Score)","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eScenes from the Jungle - A Romantic Opera in Two Acts (Vocal Score)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e300 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eCommissioned by the Dutch Ensemble Opus Two in 2017, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e, a multi-media romantic opera in two acts, was loosely based on Edgar Rice Burroughs’s 1912 novel, \u003ci\u003eTarzan of the Apes\u003c\/i\u003e, in the Dutch translation by W.J.A. Ronaldus, Jr. The work was scored for three singers playing eight different roles, an orchestra of eleven accordions and three percussionists performing on xylophone, timpani, djembe, bass drum, timbales, snare drum, bongo drums, cymbals, gongs, claves, and rattles. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-indent: .25in;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eOf historical importance is the fact that \u003ci\u003eScenes from the Jungle\u003c\/i\u003e is the first opera composed and orchestrated especially for an accordion orchestra. An accordion orchestra was chosen, rather than a more traditional ensemble to give the audience a sense of alienation with this sound; the same feeling that the characters experience in a strange environment. As the opera progresses, the sound of accordions becomes familiar to the audience, just as the characters become more familiar with their surroundings. The music of the opera is very eclectic to create a sense of familiarity and surprise. Musical styles range from easily accessible silent film music to contemporary atonality, African rhythms, jazz, and evocations of Puccini, Korngold, and Bernstein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-indent: .25in;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eThe opera employs multimedia through the projection of sequences from the 1918 silent film \u003ci\u003eTarzan of the Apes\u003c\/i\u003e, as well as images of modern metaphorical jungles (big cities such as New York City) and fear-accentuating effects to evoke the lions and apes from the film. In order to maintain a cinematic illusion throughout the opera, written silent-film-like narration is projected, as well as images of the various physical environments suggested in the opera. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-indent: .25in;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003eScenes from the Jungle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003e began touring the Netherlands in the spring of 2019 with Anouk Antonissen, soprano, Luke Mitchell, tenor, and Fernando Linares-Correa, baritone. The production was conducted by Hans Barten and directed by Malou Cranes. A proposed tour of the eastern United States to follow was abandoned due to the emergence of Covid-19.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his cantata, \u003ci\u003eJoppenszoon,\u003c\/i\u003e toured the Netherlands in 2024-2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197718622,"sku":"qjs1787291927585","price":27.3,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197751390,"sku":"stc1787291927586","price":29.44,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195197784158,"sku":"rii1787291927587","price":6.4,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/scenes-from-the-jungle---a-romantic-opera-in-two-acts-vocal-score_1.png?v=1787291933"},{"product_id":"great-exploitations-a-hollywood-fable","title":"Great Exploitations – A Hollywood Fable","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eHollywood is brutal, especially for an aging TV writer who is not connecting with her audience. Unemployed Charlotte DeBlane finds herself at precisely that moment until she turns her tragic youth into a sparkly tweenaged dramedy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThe legendary Fable Studios snaps up her project as a vehicle for their newest hot starlet, Milary Stanton. Despite a tsunami of production nightmares, the show becomes a smash hit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eWhen the disappearance of an essential crew member wreaks of corporate foul play, Charlotte finds her dream job turned into a nightmare. Ultimately, the inevitable forces of money, power, and talent collide, forcing Charlotte to choose where her future leads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eK.R. has been working in Hollywood for more than four decades. Some of his early credits include special effects on \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eMystic Pizza\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e, and Leadman on \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eBreakin\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e 2 \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eis Electric Boogaloo\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e. He also worked on the original \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eLizzie McGuire\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e and went on to prop master many kids’ shows, from \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eNed’s Declassified School Survival Guide to Wizards of Waverly Place and Lab Rats\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eK.R. lives in California with his therapist\/author wife.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"margin: 0px;\"\u003e\n\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif; color: rgba(0,0,0,1.0);\"\u003e\u003cstrong\u003eFrom: \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif;\"\u003eRegal Summit \u0026lt;regalsummit@hotmail.com\u0026gt;\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px;\"\u003e\n\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif; color: rgba(0,0,0,1.0);\"\u003e\u003cstrong\u003eSubject: \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif;\"\u003e\u003cstrong\u003eRegal Summit Book Award\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px;\"\u003e\n\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif; color: rgba(0,0,0,1.0);\"\u003e\u003cstrong\u003eDate: \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif;\"\u003eJuly 4, 2025 at 6:25:49 PM PDT\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px;\"\u003e\n\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif; color: rgba(0,0,0,1.0);\"\u003e\u003cstrong\u003eTo: \u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -webkit-system-font,Helvetica Neue,Helvetica,sans-serif;\"\u003e\"krlevin@me.com\" \u0026lt;krlevin@me.com\u0026gt;\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; text-align: left; background-color: white; margin: 1em 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003eDear K.R. Levin,\u003c\/div\u003e\n\u003cdiv style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; text-align: left; background-color: white; margin: 1em 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\n\u003cstrong\u003e     Bravo!! \u003c\/strong\u003efor your winning achievement for the 2025 Regal Summit Book Award for your book titled, \"Great Exploitations: A Hollywood Fable”.\u003c\/div\u003e\n\u003cdiv style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; text-align: left; background-color: white; margin: 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; text-align: left; line-height: 1.4; background-color: white; margin: 0px 0px 40px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003eHere is a link to the REGAL SUMMIT BOOK AWARD WINNERS:  Winners (regalsummitbookaward.com)\n\u003c\/div\u003e\n\u003cdiv style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; text-align: left; line-height: 1.4; background-color: white; margin: 0px 0px 40px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003eAs a Winner, your recognition on our winners list is always free of charge.   \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-family: TimesNewRomanPSMT; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-decoration: none; background-color: white; margin: 0px;\" align=\"left\"\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px 8px 12px 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003eIn addition, as a confirmed winning author you are also entitled to optional services including:  Digital Seal, Book Review, and Website \u0026amp; social media promotion.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px 8px 12px 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003eTo learn more details \u0026amp; pricing click here:  Awards (regalsummitbookaward.com)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px 8px 12px 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px 8px 12px 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003ePlease fill out the optional Winner's form for confirmed winners by July 19,2025: \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px 8px 12px 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003ehttps:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSfidJn4riY1kUofI_F-rOYvlfEeSeg1sV76ITs2RnR-fH1Ecw\/viewform?usp=header\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-2368218011814385418LPBorder_GTaHR0cHM6Ly9kb2NzLmdvb2dsZS5jb20vZm9ybXMvZC9lLzFGQUlwUUxTZmlkSm40cmlZMWtVb2ZJX0Ytck9ZdmxmRWVTZWcxc1Y3NklUczJSblItZkgxRWN3L3ZpZXdmb3JtP3VzcD1oZWFkZXI.\" style=\"margin: 16px 0px; 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margin: 0px 8px 12px 0px; font-family: wf_segoe-ui_light,'Segoe UI Light','Segoe WP Light','Segoe UI','Segoe WP',Tahoma,Arial,sans-serif; font-size: 21px; color: #242424;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003e2025 Regal Summit Book Award Winner's form\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"m_-2368218011814385418LPDescription933771\" style=\"text-indent: 0px; margin: 0px 8px 12px 0px; max-height: 100px; font-family: wf_segoe-ui_normal,'Segoe UI','Segoe WP',Tahoma,Arial,sans-serif; font-size: 14px; color: #666666;\"\u003e\nwww.regalsummitbookaward.com E-mail: regalsummit@hotmail.com *Please complete the form for optional winners' services by the deadline: JULY 18, 2025\u003c\/div\u003e\n\u003cdiv id=\"m_-2368218011814385418LPMetadata933771\" style=\"text-indent: 0px; margin: 0px; font-family: wf_segoe-ui_normal,'Segoe UI','Segoe WP',Tahoma,Arial,sans-serif; font-size: 14px; color: #a6a6a6;\"\u003edocs.google.com\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"margin: 16px 0px; max-width: 800px; min-width: 424px;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: white; margin: 0px;\" align=\"left\"\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003eOnce again, \u003cspan style=\"color: #0f548c; background-color: #cfe4fa;\"\u003eCongratulations\u003c\/span\u003e on your Winning Book!\u003c\/div\u003e\n\u003cdiv style=\"margin: 16px 0px; max-width: 800px; min-width: 424px;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e\u003cspan style=\"font-weight: 300;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px 8px 12px 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003eKind Regards,\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"background-color: white; margin: 0px;\" align=\"left\"\u003e\n\u003cdiv style=\"text-indent: 0px; margin: 0px; font-family: Aptos,Aptos_EmbeddedFont,Aptos_MSFontService,Calibri,Helvetica,sans-serif; font-size: 12pt;\"\u003e-Regal Summit Team\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197620318,"sku":"vtj1787291927406","price":22.12,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197653086,"sku":"scv1787291927407","price":27.6,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195197685854,"sku":"hfl1787291927408","price":3.78,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/great-exploitations-a-hollywood-fable_1.png?v=1787291933"},{"product_id":"jacqueline-hyde-the-script","title":"Jacqueline Hyde – The Script","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eJacqueline Hyde – The Script\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eRolfe Kanefsky\u003ci\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e174 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003ePaperback ISBN 9798887717333\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eHardback ISBN 9798887717340\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eA seductive journey into horror based on “The Strange Case of Dr. Jekyll And Mr. Hyde”. JACKIE, (Gabriella Hall) a lonely and shy telemarketer in her late twenties, gets a phone call informing her that her uncle has just passed away and she is the only living relative. She has inherited his estate. Upon arriving at her uncle’s house, JACKIE discovers that he was an inventor and has a secret lab in his basement. She stumbles upon the formula that he spent his whole life working on. Due to an accident in the lab, JACKIE digests the formula and finds herself with the power to transform her body at will. This magical potion has turned JACKIE HYDE into a shapeshifter! At first, JACKIE thinks this is a dream come true. She can change the color of her hair, the size of her bust, even the level of her sex drive at will. This power has somehow released the animal inside and, feeling confident about herself for the first time, she goes out for a night on the town. Picking up a guy in a bar, JACKIE has a one night stand. Feeling the euphoric effects of the formula wearing off, JACKIE takes some more and soon discovers her more aggressive sexual side; JACQUELINE (Blythe Metz), likes to be in control and wants to keep it that way!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eJACKIE finds that she must make a decision and fight against the power of the formula before she loses her own identity for good. But the formula is like a drug and she’s enjoying becoming other people, doing things she would never do, feeling things she has never felt. Each time she transforms, she loses another piece of herself until she doesn’t know where the real JACKIE ends and the new JACQUELINE HYDE begins! In a final battle between her will and desire, her mind and her body, the final choice is made and the most powerful entity wins out!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e“JACQUELINE HYDE”- “She’ll Love You...To Death!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eRolfe Kanefsky is an award-winning writer\/director who has been working professional in the film industry for the past 35 years. Working in almost every genre, he has written and\/or directed over 85 produced motion pictures. His horror work includes “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eThe Black Room\u003c\/span\u003e” starring Natasha Henstridge and Lin Shaye, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eBus Party To Hell\u003c\/span\u003e” starring Tara Reid, cult-classic “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eThere’s Nothing Out There\u003c\/span\u003e”, After Dark\/Lions Gate’s release of “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eNightmare Man\u003c\/span\u003e”, thrillers include “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e1 In The Gun\u003c\/span\u003e” starring Steven Bauer and Robert Davi, and recent Lifetime films “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eSins Of My Husband\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eLittle Girl In The Window\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ePool Boy Nightmare\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eA Wedding To Die For\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eWatch Your Back\u003c\/span\u003e” starring AnnaLynne McCord, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eThe Wrong Babysitter\u003c\/span\u003e” and “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eDeadly Sorority\u003c\/span\u003e” with Greer Grammar and Moira Kelly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eOther features include: the comedy “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eBlonde and Blonder”\u003c\/span\u003e starring Pamela Anderson and Denise Richards, the western “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eDoc Holliday’s Revenge\u003c\/span\u003e” starring Tom Berenger, the thriller “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eTomorrow By Midnight\u003c\/span\u003e” starring Carol Kane and Alexis Arquette, the teen comedies “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ePretty Cool\u003c\/span\u003e” and “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ePretty Cool Too!\u003c\/span\u003e” and the horror\/comedy “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eThe Hazing\u003c\/span\u003e” starring Brad Dourif. Other films include “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eAutomation\u003c\/span\u003e” a sci-fi thriller, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eArt Of The Dead\u003c\/span\u003e” with Tara Reid and the family\/rom-com films, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eDolphin Island\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ePicture Perfect Royal Christmas\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eFor Better Or Worse\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eI’m With Me\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eRoyal Blossom\u003c\/span\u003e”, “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eLost and Found In Rome\u003c\/span\u003e” and “\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eValley Of Love\u003c\/span\u003e”.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195197947998,"sku":"pui1787291934344","price":19.25,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195197980766,"sku":"mqg1787291934345","price":23.1,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198013534,"sku":"mwt1787291934346","price":4.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/jacqueline-hyde-the-script_1.png?v=1787291940"},{"product_id":"the-films-of-eddie-murphy","title":"The Films of Eddie Murphy","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Films of Eddie Murphy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Mat Bradley-Tschirgi\u003ci\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e244 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003ePaperback ISBN 9798887717357\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eHardback ISBN 9798887717364\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eFor 43 years, Eddie Murphy has dazzled audiences of all sorts whether it's edgy comedies (\u003ci\u003eBowfinger\u003c\/i\u003e), cherished remakes (\u003ci\u003eThe Nutty Professor\u003c\/i\u003e), family films (\u003ci\u003eShrek\u003c\/i\u003e), or biopics (\u003ci\u003eDolemite is My Name\u003c\/i\u003e). Pop culture author Mat Bradley-Tschirgi (\u003ci\u003eThe Films of Uwe Boll Vol. 1: The Video Game Movies (2003-2014)\u003c\/i\u003e, \u003ci\u003eStar Trek Video Games: An Unofficial Guide to the Final Frontier\u003c\/i\u003e) takes readers on a deep dive into Eddie Murphy's movies that you won't soon forget with all-new reviews of his feature films alongside fascinating anecdotes on how the motion pictures were made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eA witty entertaining ode to Eddie Murphy, \u003ci\u003eThe Films of Eddie Murphy\u003c\/i\u003e takes a look at America's favorite comedian with plenty of pep panache along the way.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003e\"Mat Bradley-Tschirgi has taken a deep dive into Eddie Murphy's film career, exploring Murphy's highs and lows, and while your personal mileage on the films themselves may vary, Mat's enthusiasm might just be infectious enough to convince you to even give a few of the so-so selections another try.\" (Will Harris, Co-Author, Surely You Can’t Be Serious: The True Story of Airplane!) \u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003cdiv dir=\"auto\"\u003e“A thorough assessment of a singular career. Mat Bradley-Tschirgi examines the good, the bad, and the brilliant in Murphy’s filmography. Every film is accounted for with fresh perspective and a few fascinating interviews.” - \u003cspan\u003eMax Evry (Author, Masterpiece in Disarray: David Lynch’s Dune. An Oral History)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003e\"Mat has cultivated a well-researched deep-dive into the meteoric rise of a comedy giant. From Murphy’s iconic film run in the 1980’s to his descent into more lighter fare in the 90’s and 2000’s to his comeback with Dolemite is My Name, Mat leaves no stone unturned when it comes to dissecting Murphy’s brilliance. By the end of the book, you truly understand just what makes Murphy such an important part of comedy.\" - Andrew Buss (Author, I Am McLovin: How ‘Superbad’ Became the Biggest Comedy Hit of Its Generation) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003ehttps:\/\/forcesofgeek.com\/the-films-of-eddie-murphy-review\/\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198079070,"sku":"dur1787291940494","price":18.2,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198111838,"sku":"mvz1787291940495","price":28.47,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198144606,"sku":"rxd1787291940496","price":6.24,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-films-of-eddie-murphy_1.png?v=1787291945"},{"product_id":"texas-an-oral-history-of-daytime-tvs-answer-to-dallas","title":"Texas: An Oral History of Daytime TV’s Answer to Dallas","description":"\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eTexas: An Oral History of Daytime TV’s Answer to Dallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Tom Lisanti\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eForeword by Caryn Richman\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e400 total pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003ePerfect ISBN \u003cspan style=\"font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: black;\"\u003e9798887717012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eCase ISBN \u003cspan style=\"font-family: 'Calibri',sans-serif;\"\u003e9798887717029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"text-effect: outline; mso-style-textoutline-type: solid; mso-style-textoutline-fill-color: black; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-outlinestyle-dpiwidth: .75pt; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textfill-type: none; mso-style-textfill-fill-gradientfill-shadetype: linear; mso-style-textfill-fill-gradientfill-shade-linearshade-angle: 0; mso-style-textfill-fill-gradientfill-shade-linearshade-fscaled: no;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 14.0pt; line-height: 107%; font-family: 'Times New Roman',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eTexas: An Oral History\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eof Daytime’s Answer to Dallas\u003c\/i\u003e focuses on Procter \u0026amp; Gamble and NBC’s 1980 spin-off from \u003ci\u003eAnother World\u003c\/i\u003e. It was the first soap to debut in the one-hour format and set in a real city, Houston. Receiving star billing and leading the cast was \u003ci\u003eAnother World\u003c\/i\u003e’s popular Beverlee McKinsey as Iris Bancroft. Having such high hopes for their new soap, Fred Silverman, the head of NBC, boasted to the press that it would be so successful that a move to prime time would be warranted. However, \u003ci\u003eTexas\u003c\/i\u003e turned out not to be the \u003ci\u003eDallas\u003c\/i\u003e of daytime, as predicted, for several reasons and only lasted two and a half years. It went through four head writing regimes and two executive producers with various levels of success. Even so, the show built up a core audience that found it to be quirky and fun.\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Times New Roman',serif; mso-bidi-font-weight: bold;\"\u003eAnd despite its short run, the soap is beloved to this day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0in; background: white;\"\u003e\u003cspan style=\"mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0in; background: white;\"\u003e\u003cspan style=\"mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; color: black; mso-color-alt: windowtext; mso-bidi-font-weight: bold;\"\u003eThis book is a collection of memories and stories from actors, including Kin Shriner, Terri Garber, Catherine Hickland, Harley Kozak, Pamela Long, John McCafferty, Caryn Richman, Tom Wiggin, and Michael Woods; creator and head writer Joyce Corrington; and various writers; directors; set designers; NBC network executives; and family members. Brutally honest, they share the good, the bad, and the outrageous with regard to what went into producing this one-hour soap, five days a week at its Brooklyn studio. Connecting their observations and anecdotes are plot synopses; tales of Procter \u0026amp; Gamble and network interference; and how \u003ci\u003eGeneral Hospital\u003c\/i\u003e helped lead to \u003ci\u003eTexas\u003c\/i\u003e’s downfall. The book will be illustrated with publicity stills; print ads; and behind-the-scenes photos and original set sketches from some of the participants’ private collections. \u003c\/span\u003e\u003cspan style=\"mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0in; background: white;\"\u003e\u003cspan style=\"mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-weight: bold;\"\u003eTom Lisanti is an award-winning author whose books include \u003ci\u003eRyan’s Hope: An Oral History of Daytime’s Groundbreaking Soap \u003c\/i\u003eand ten others about film\/television in 1960s\/1970s Hollywood. You can connect with him on social media: \u003c\/span\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e@tomlis on Twitter; @tomlisanti on Instagram; and at \u003c\/span\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ewww.facebook.com\/SixtiesCinemaBooks\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198177374,"sku":"zxh1787291940556","price":24.64,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198210142,"sku":"olw1787291940557","price":28.38,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198242910,"sku":"bpo1787291940558","price":5.44,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/texas-an-oral-history-of-daytime-tvs-answer-to-dallas_1.jpg?v=1787291945"},{"product_id":"366-weird-movies-guide-volume-2","title":"366 Weird Movies Guide Volume 2","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: #221e1f; mso-ansi-language: EN-US;\"\u003e366 Weird Movies Guide Volume 2\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: #221e1f; mso-ansi-language: EN-US;\"\u003eGregory J. Smalley \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e532 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887716572\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887716589\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-ansi-language: EN-US;\"\u003eCovering everything from art-house surrealism to next-generation cult movies to B-movie atrocities and unclassifiable oddities, 366 Weird Movies has been publishing online since 2009. Here are our canonical choices of the 366 weirdest movies worthy of your eyeballs – and the day you should watch them on – in all-new capsule reviews, delivered with our usual combination of sly humor and series insight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; font-variant: small-caps; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198275678,"sku":"kgd1787291940713","price":27.36,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198308446,"sku":"vca1787291940714","price":32.16,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198341214,"sku":"iee1787291940715","price":5.84,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/366-weird-movies-guide-volume-2_1.png?v=1787291946"},{"product_id":"carnaval-concerto-grosso-for-woodwind-and-accordion","title":"Carnaval - Concerto Grosso for Woodwind and Accordion","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eCarnaval - Concerto Grosso for Woodwind and Accordion\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e158 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eCarnaval\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e, Concerto Grosso for Winds and Accordions was commissioned in 2015 by the Noord Hollands Blazers Ensemble, under the direction of Lex Bak, and Accordeonensemble Alphen Opus 2, conducted by Hans Barten. The composition was inspired by a painting by Pieter Bruegel (1525-1569) \"The Battle between Carnival and Lent.\" \u003ci\u003eDisplay Parade\u003c\/i\u003e, the first movement, examines the many aspects of the \"battle\" between Carnival (represented by the wind ensemble) and Lent (accordion ensemble) in six variations of an introductory theme. \u003ci\u003eLudi\u003c\/i\u003e depicts the games played by the characters in the center of the painting; \u003ci\u003eDiaboli a baculi\u003c\/i\u003e displays the movement of the crippled characters on crutches lower in the painting; \u003ci\u003eIte, missa est\u003c\/i\u003e suggests the movement of the people going in and out of church; \u003ci\u003eAmbulatio\u003c\/i\u003e depicts the parade on the left side of the painting, with song and dance coming to life spontaneously; \u003ci\u003eExsequiae\u003c\/i\u003e explores the inevitability of death, expressed in the lower right of the painting; and \u003ci\u003eSollennia\u003c\/i\u003e presents the real struggle between Carnival (the fat man on the barrel) and Lent (the cowering nuns) in the lower center of the painting. Finally, a fugue structure returns to the original theme as if the listener, after examining specific parts of the painting, distances himself from the entire work. \u003ci\u003eFarmer’s Wedding\u003c\/i\u003e, the second movement explores the relationship between light and dark, the madness of carnival in juxtaposition with more serious rituals; and \u003ci\u003eElf\u003c\/i\u003e, the final movement, expresses the celebration of Carnival; the merging and contrasting of small groups of people, with an almost chaotic atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198373982,"sku":"xjm1787291940726","price":19.6,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198406750,"sku":"txv1787291940727","price":28.12,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198439518,"sku":"prk1787291940728","price":6.4,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/carnaval---concerto-grosso-for-woodwind-and-accordion_1.jpg?v=1787291946"},{"product_id":"finatics-50-years-of-jaws","title":"Finatics – 50 Years of Jaws","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eFinatics – 50 Years of Jaws\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eMichael A. Smith\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e276 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eColor\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN 9798887717555 paperback\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN 9798887717562 hardback\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16.0pt;\"\u003eFINATICS - 50 YEARS OF JAWS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16.0pt;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 14.0pt;\"\u003eFinatic (adjective) Plural: Finatics\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 13.0pt;\"\u003eDefinition: marked by excessive enthusiasm and often intense uncritical devotion to the film Jaws.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 13.0pt;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eFor five decades, Steven Spielberg’s Jaws has continued to cast a shadow not only over Hollywood but on Popular Culture. From books and magazines, films and television and even the Broadway stage, the film’s impact is still being felt today. The film’s legacy continues to be kept alive by fans from all over the word – The \u003cb\u003eFINATICS\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eFeaturing a foreword by Richard Dreyfuss, \u003cb\u003eFINATICS\u003c\/b\u003e: 50 Years of \u003cb\u003eJaws\u003c\/b\u003e is an in-depth look at the film’s influence on Pop Culture as well as a celebration of the fans who keep the legacy of Jaws alive!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003ehttps:\/\/www.youtube.com\/watch?v=oWR8xOYQJfA\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198472286,"sku":"zfe1787291942929","price":32.34,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198505054,"sku":"ies1787291942930","price":43.2,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/finatics-50-years-of-jaws_1.jpg?v=1787291948"},{"product_id":"my-fetish-is-watching-you-die","title":"My Fetish Is Watching You Die","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eMy Fetish Is Watching You Die\u003c\/strong\u003e \u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eDwight Kemper\u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e204 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e5.5x8.5 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798899410048\u003cspan style=\"mso-tab-count: 1;\"\u003e  paperback\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798899410055 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eNew York City — Late 1950s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eJoe Bruckman is a weary private dick who needs to make a few extra bucks. He becomes a go-between for a Time’s Square smut ring. In the process, he’s seized by Federal Agents and brought before Tennessee Senator Estes Kefauver. Kefauver is conducting hearings on the connection between pornography, comic books, and organized crime. Bruckman is given two choices, be sworn in as a temporary federal agent working for Kefauver or doing jail time as a smut peddler. What’s a private eye to do? As it happens, Bruckman, completely unaware of it, shares an apartment building with the delectable fetish model Bettie Page. His assignment: Get to know Miss Page, befriend her, and get the goods on fetish Peddler, Irving Klaw. But things go awry when Bruckman and fellow fetish model and Bettie’s best friend, June King, stumble upon a crime scene staged by a mysterious masked killer who is known only as The Ghost! Can Bruckman crack the case before Bettie Page becomes The Ghost’s next victim? Are any of Klaw’s fetish models safe from this madman? Find out the startling answer to The Ghost’s horrifying proclamation, “MY FETISH WATCHNG DIE!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Midnight Marquee","offers":[{"title":"Paperback","offer_id":43195198537822,"sku":"ddo1787291942946","price":15.86,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198570590,"sku":"glk1787291942947","price":28.86,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198603358,"sku":"bhg1787291942948","price":5.6,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/my-fetish-is-watching-you-die_1.jpg?v=1787291948"},{"product_id":"the-answer-is-a-guide-to-the-lost-art-of-the-answer-record","title":"The Answer Is – A Guide to the Lost Art of the Answer Record","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Answer Is – A Guide to the Lost Art of the Answer Record\u003c\/strong\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eBob Leszczak\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e438 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887718026 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887718033 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eBob Leszczak is a longtime radio personality, actor, singer, historian and author. A New Jersey native, The Answer Is: A Guide to the Lost Art of the Answer Record is Leszczak’s twelfth pop culture book. “Answer Records” all but disappeared in the mid to late 1970s, but they were very prevalent in the 1950s and 1960s. Even avid oldies fans will be amazed at the volume of “Answer Records” included in this work, thus putting another twist on “The Twist,” another ram in the “Rama Lama Ding Dong,” and another boogity in your “Boogity, Boogity Shoop.” Pictures of these answer records are also very abundant. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eLeszczak’s previous eleven books have either been about classic television or “oldies” music and phonograph records. This one is no exception. It will make a great addition to your trivia bookshelf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eAuthor Bob Leszczak at age two begins collecting vinyl records.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198701662,"sku":"wsa1787291947577","price":24.15,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198734430,"sku":"nvv1787291947578","price":29.7,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198767198,"sku":"fjb1787291947579","price":4.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-answer-is-a-guide-to-the-lost-art-of-the-answer-record_1.png?v=1787291953"},{"product_id":"quicksilver-messenger-service-the-end-of-an-era","title":"Quicksilver Messenger Service \u0026 the End of an Era","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eQuicksilver Messenger Service \u0026amp; the End of an Era\u003c\/strong\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eDavid R. Greenland\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e178 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717630 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717647\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eBest known for such timeless anthems as “Fresh Air,” “What About Me,” and the classic album Happy Trails, Quicksilver Messenger Service, along with the Grateful Dead and Jefferson Airplane, was one of the most renowned and influential bands to emerge from San Francisco during the spirited, turbulent Sixties.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThis is an in-depth account of the band, told by a longtime admirer who had the good fortune to hear Quicksilver in concert on more than one occasion. In addition to a photo section, there is a year-by-year chronicle of musical and world events, as well as a complete discography of the band and its individual members.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198799966,"sku":"duo1787291951315","price":18.75,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198832734,"sku":"twg1787291951316","price":23.4,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198865502,"sku":"isy1787291951317","price":6.4,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/quicksilver-messenger-service-the-end-of-an-era_1.png?v=1787291957"},{"product_id":"the-complete-reba-mcentire-illustrated-discography","title":"The Complete Reba McEntire Illustrated Discography","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Complete Reba McEntire Illustrated Discography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Daniel Selby \u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e262 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.5x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eColor\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN \u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e9798887717432\u003cspan style=\"mso-tab-count: 1;\"\u003e  paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717449\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eCountry singer and actress Reba McEntire was born in McAlester. Oklahoma on March 28. 1955 and raised on a cattle ranch in Chockie. Oklahoma. Her father was a rodeo rider and the family used to travel the south by car. On those car trips Reba's mother. Jacqueline McEntire. taught her four children to sing harmony. Young Reba then went on to perform at her school. Beginning in first grade she sang \"Away in a Manger\" at her elementary school Christmas pageant. In fifth grade, she joined the 4-H club and won first place in the Junior Act Division for singing \"My Sweet Little Alice Blue Gown.\" With her mother's help, she and her siblings formed the Singing McEntires, which played at local events around the state. Reba also played basketball and ran track. For several summers, she attended a basketball camp and she took piano and guitar lessons. Reba had also developed an interest in the rodeo and trained to become a barrel racer, winning several awards. Later she enroll at Southeastern Oklahoma State University and studied to become a public school teacher like her mother had been. She continued to occasionally perform and in 1974 was heard singing at the National Rodeo Finals by country performer Red Steagall. Attracted by her singing voice. Red helped her secure a recording contract with Mercury Records in 1975. She relocated to Nashville. Tennessee, with her mother that year. In 1976 Reba released her first single, it basically went nowhere. But that was just the start. Since that release Reba has sold more than 75 million records worldwide and placed over 100 singles on the Billboard Hot Country Songs chart, 25 of which reached the # I position. As an actress Reba made her film debut in 1989's \"Tremors\" with Michael Gross and Kevin Bacon. Other film roles include 1991's \"The Gambler Returns: The Luck of the Draw\" with Kenny Rogers, 1994’s \"North\" and several others. On television she starred in the series \"Reba,\" which aired for six seasons starting in 1991. \"Malibu Country\" in 2012. In 2023 \"Reba McEntire’s The Hammer\" aired. She is a judge on \"The Voice\" and the upcoming, as of this writing. \"Happy's Place\" co-starring Melissa Peterman who also co-starred in \"Reba.\" On January 26, 2001. Reba expanded her acting into theater starring as Annie Oakley in the Broadway revival of \"Annie Get Your Gun\" to great acclaim. She also owns several businesses, including a restaurant and a clothing line. Reba has truly done it all!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eDaniel Selby has researched and compiled the most up to date discography ever published on this remarkable and beloved country music Icon! Complete with recording dates, foreign releases, reviews, chart information and more! Truly career spanning!\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003ehttps:\/\/www.midwestbookreview.com\/lbw\/jun_25.htm#Music\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198898270,"sku":"utb1787291951459","price":34.45,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195198931038,"sku":"kus1787291951460","price":40.96,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195198963806,"sku":"wry1787291951461","price":5.44,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-complete-reba-mcentire-illustrated-discography_1.png?v=1787291957"},{"product_id":"stephen-king-odds-ends","title":"Stephen King - Odds \u0026 Ends","description":"\u003cp class=\"MsoNoSpacing\"\u003eStephen King - Odds \u0026amp; Ends\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #4a3521;\"\u003eHans-\u003c\/span\u003eÅ\u003cspan style=\"color: #4a3521;\"\u003eke Lilja\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e188 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717579\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717586\u003cspan style=\"mso-tab-count: 1;\"\u003e  hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #4a3521;\"\u003eIn his third book about Stephen King, Hans-\u003c\/span\u003eÅ\u003cspan style=\"color: #4a3521;\"\u003eke Lilja explores some of the less well-known projects by the famous author.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #4a3521;\"\u003eTitled \"Stephen King: Odds \u0026amp; Ends\u003cspan style=\"letter-spacing: -2.0pt;\"\u003e,\u003c\/span\u003e \" the book reveals interesting details Hans-\u003c\/span\u003eÅ\u003cspan style=\"color: #4a3521;\"\u003eke discovered, along with insights from people who have firsthand experience with these unique endeavors.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195198996574,"sku":"aky1787291954096","price":15.0,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199029342,"sku":"vrj1787291954097","price":28.8,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199062110,"sku":"oje1787291954098","price":4.88,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/stephen-king---odds-ends_1.png?v=1787291960"},{"product_id":"on-location-on-marthas-vineyard-the-making-of-the-movie-jaws-50th-anniversary-edition","title":"On Location on Martha's Vineyard - The Making of the Movie Jaws - 50th Anniversary Edition","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eOn Location on Martha's Vineyard - The Making of the Movie Jaws - 50th Anniversary Edition\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Edith Blake\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e198 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717593\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717609 hardback\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 14.0pt; color: black;\"\u003eFrom Inside Out\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThe behind-the-scenes story of the film that continues to make generations of beach-goers think twice before they go swimming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 14.0pt; color: black;\"\u003e50\u003csup\u003eTH\u003c\/sup\u003e ANNIVERSARY EDITION\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eIncludes a new chapter and more photos, many never before seen, highlighting \u003cb\u003eTHE MOST STUNNING FILM-MAKING ADVENTURE OF ALL TIME!\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 14.0pt; color: black;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv dir=\"auto\"\u003e(8-23-25) Just finished reading the amazing book, ON LOCATION ON MARTHA'S VINEYARD:The Making of the Movie JAWS by Edith Blake and here are my thoughts.\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eJAWS, the biggest, the most classic, and the first summer blockbuster of all-time! It was the first film I ever saw. I was 4yrs old in 1975 when the film was released. It has held a special place in my life and heart ever since. You may watch the film tons of times, but do you really know the film? That's where the \n\u003cdiv dir=\"auto\"\u003e'ON\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eLOCATION....' book comes in. This amazing book is like a personal journal by author Edith Blake. She tells the reader daily routines, behind-the scenes stories, secrets, and details of everything that happened in front of and behind the camera. She tells us tales of late night dinners, special effects that won't work, and she shares good \u0026amp; bad memories of the locals who were invaded by Hollywood to make a movie about a shark on their peaceful island. The book goes step-by-step from the first scene of the first swimmer victim to the explosive ending. There are some wonderful detailed tales in this book, but as I read it I kept asking myself: How did they get through it!? If something was going to break, if there was a problem with an actor or location, and, of course, if the shark broke...it happened! It is amazing this film got completed with all the obstacles it had to overcome. And overcome it. Edith takes this journey with us all the way to its premiere night. I really enjoyed the behind-the scenes stories a lot and it gives me a different view of the film now. There are extras in this 50th Anniversary edition, extra chapters, unseen photos, and a special Introduction by author \u0026amp; JAWS expert\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMichael Smith\u003c\/span\u003e. Michael also contributes a nice \"Anniversary Chapter\" and special tribute to author Edith Blake who sadly passed away.\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIf you're a fan of JAWS, want to know how a blockbuster film was made, and want to know the hardships it took to make this film told by someone who was there, then ON LOCATION ON MARTHA'S VINEYARD: The Making of the Movie JAWS by Edith Blake is for you! I highly recommend this book that takes you down the fascinating and sandy beaches of the film JAWS.\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eYou can find this book at Bear Manor Media Publishing website.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199094878,"sku":"vsi1787291954244","price":18.9,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199127646,"sku":"pwq1787291954245","price":22.94,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/on-location-on-marthas-vineyard---the-making-of-the-movie-jaws---50th-anniversar_1.jpg?v=1787291959"},{"product_id":"widefilm-widescreen","title":"Widefilm Widescreen","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eWidefilm Widescreen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Anthony J. Zaza\u003ci\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e504 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN paperback 9798887717531\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN hardback 9798887717548\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eWidefilm Widescreen is the most comprehensive technical history of large film formats researched from many sources. It is a developmental history of Widefilm and Widescreen as recorded by the industry it reflects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199160414,"sku":"vlq1787291954481","price":36.0,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199193182,"sku":"dde1787291954482","price":37.52,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199225950,"sku":"tch1787291954483","price":6.16,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/widefilm-widescreen_1.jpg?v=1787291960"},{"product_id":"jack-bennys-lost-radio-broadcasts-volume-4-march-3-1933-june-23-1933","title":"Jack Benny’s Lost Radio Broadcasts Volume 4: March 3, 1933 — June 23, 1933","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eJack Benny’s Lost Radio Broadcasts Volume 4: March 3, 1933 — June 23, 1933\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eJack Benny and Harry Conn\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eEdited by Kathryn Fuller-Seeley\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eBook Size: 8.25x11\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN 979-8-88771-778-4\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN 979-8-88771-779-1 hardback\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eVolume Four of \u003ci\u003eJack Benny’s Lost Broadcasts\u003c\/i\u003e, (17 episodes from March 3 to June 23, 1933) finds Benny, Mary Livingstone and writer Harry Conn (recently parted from Canada Dry and CBS) on NBC’s premiere Red network, sponsored by automobile manufacturer Chevrolet. Taking over from suddenly departing singer Al Jolson, Jack and Mary now helmed a weekly comedy broadcast with accompanying music, in a prime slot Friday nights 10:00 to 10:30 pm. Frank Black, director of the NBC orchestra, tenor James Melton and announcer Howard Claney joined the troupe. Jack quickly trained Black and Melton in how to perform comedy dialogue, and Claney enthusiastically took on the job of promoting the sponsor with amusing puns and zealous sales plugs. While these were anxious days (nadir of the Great Depression, start of President Franklin Roosevelt’s first term), Benny and Conn’s sparkling comedy scripts built on favorite skits from the previous year. The new parodies of Hollywood movies and popular culture foibles ensured the program’s high ratings. Mary Livingstone achieved radio stardom as Jack’s number one stooge. Her sly imitations of Mae West, her wry laughter, pleasant singing voice, and catch-phrases like “Hullo, Dark and Handsome” and “Hiya, Toots” brought her increasing acclaim. Chevy mandated a summer hiatus for the program in June. Would the show be able to return in Fall, 1933, amid fears that Chevrolet could no longer afford radio advertising?\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eHighlights of Volume Four include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eParodies of popular films like \u003ci\u003eKing Kong\u003c\/i\u003e, \u003ci\u003e42nd Street\u003c\/i\u003e , \u003ci\u003eShe Done Him Wrong\u003c\/i\u003e, \u003ci\u003eDr. Jekyll and Mr. Hyde\u003c\/i\u003e, and \u003ci\u003eI am a Fugitive from a Chain Gang.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eMixing jokes about Clark Gable’s ears and Greta Garbo’s feet with a multi-part murder mystery, \u003ci\u003e \u003c\/i\u003eand lampoons of old “mellerdrammers” like \u003ci\u003eWhy Girls Leave Home\u003c\/i\u003e and \u003ci\u003eTen Nights in a Barroom\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eKathy’s lengthy introduction incorporating new research into Benny’s continuing sponsor issues and radio reviewers’ reactions to the show’s progress.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eThese 17 fascinating radio scripts show Benny, Livingston and Conn persevering through anxious times to create a polished, innovative comedy program.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eKathryn Fuller-Seeley is the author of \u003ci\u003eJack Benny and the Golden Age of Radio Comedy\u003c\/i\u003e (2017), four volumes of Benny radio scripts, and books on early movie history. She teaches media history at the University of Texas at Austin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199258718,"sku":"tne1787291956046","price":21.12,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199291486,"sku":"ira1787291956047","price":28.6,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199324254,"sku":"elw1787291956048","price":6.4,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/jack-bennys-lost-radio-broadcasts-volume-4-march-3-1933-june-23-1933_1.png?v=1787291961"},{"product_id":"the-big-suitcase-of-1969-an-overstuffed-screenplay-by-the-firesign-theatre","title":"The Big Suitcase of 1969 - An Overstuffed Screenplay by The Firesign Theatre","description":"\u003cp\u003eThe Firesign Theatre Presents THE BIG SUITCASE OF 1969 - The Firesign Theatre’s might-have-been psychedelic hit underground movie - takes on over-wrought Shakespeare flicks, classic 1940s serials, and noirly private eyes. Illustrated throughout by Bruce Snyder, the book also includes a newly-discovered collection from the Firesign’s “Wastebasket,” with the never-before-seen original ending to Nick Danger and the ultra-spacey first draft of “Not Insane.”\u003c\/p\u003e\n\u003cp\u003eDavid Ossman, the Editor and an original member of the Firesign quartet, calls the book “a tribute to our late partners, Phil Austin and Peter Bergman, whose comic spirits are preserved in these fragments, crazy ideas and stoned improvisations.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199357022,"sku":"gdm1787291960186","price":27.72,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-big-suitcase-of-1969---an-overstuffed-screenplay-by-the-firesign-theatre_1.jpg?v=1787291965"},{"product_id":"fantasy-sitcoms-of-the-1960s-a-compendium","title":"Fantasy Sitcoms of the 1960s: A Compendium","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eFantasy Sitcoms of the 1960s: A Compendium\u003c\/strong\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eEdward Gross\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e406 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717678 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717685 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eTake a magic carpet ride back to the golden age of television with Fantasy Sitcoms of the Sixties. This delightful deep dive explores a time when suburban homes came with genies in bottles, witches twitched their noses and talking horses shared secrets. From Bewitched to The Addams Family, My Favorite Martian to The Flying Nun, these shows brought whimsy to the weekly sitcom formula and left an indelible mark on pop culture. Written by veteran entertainment journalist Edward Gross, this book blends behind-the-scenes insights with cultural context, offering fans and newcomers alike a nostalgic look at TV’s most charmingly absurd decade.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003ehttps:\/\/forcesofgeek.com\/fantasy-sitcoms-of-the-1960s-a-compendium-review\/\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199389790,"sku":"kix1787291960777","price":26.4,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199422558,"sku":"rwo1787291960778","price":35.5,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199455326,"sku":"qzo1787291960779","price":5.6,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/fantasy-sitcoms-of-the-1960s-a-compendium_1.jpg?v=1787291966"},{"product_id":"girls-just-want-to-have-funny-female-film-comedies-of-the-1980s","title":"Girls Just Want to Have Funny: Female Film Comedies of the 1980s","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eGirls Just Want to Have Funny: Female Film Comedies of the 1980s\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eDan Lalande\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e278 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003eISBN 9798887717616 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003eISBN 9798887717623 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eAn insightful and entertaining examination of the savvy, funny generation that restored the female imprint on American film comedy in the 1980s, reclaiming cinematic territory from which women had long been sidelined. It’s a detailed, readable look at their lives, times, and of course, movies, from Nine to Five (1980) to Steel Magnolias (1989) and every title in between—box-office smashes that proved that in that age of spirited, second-wave feminism, girls didn’t just want to have fun but funny.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ePraise for Books by Dan Lalande\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eThe Drop Dead Funny ’70s: American Film Comedies Year by Year:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e“A knowledgeable, entertaining, and useful critical review of comedy films of the 1970s” - Library Journal\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eHeroes of the New Hollywood: Hoffman, Hackman, Nicholson, Pacino, Duvall and De Niro in the 70s:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e“The author clearly has an affection for this period in film history, a seemingly encyclopedic knowledge of it, and writes with the insight of a historian and the enthusiasm of a fan. The book ranks right up there with Peter Biskind’s classic Easy Rider, Raging Bulls” - Booklist\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199553630,"sku":"lzg1787291963532","price":21.46,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199586398,"sku":"lmn1787291963533","price":29.6,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199619166,"sku":"lwq1787291963534","price":5.6,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/girls-just-want-to-have-funny-female-film-comedies-of-the-1980s_1.png?v=1787291969"},{"product_id":"monument-valley-or-once-upon-a-time-at-the-movies","title":"Monument Valley or Once Upon a Time at the Movies","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-bidi-language: TA;\"\u003eMonument Valley or Once Upon a Time at the Movies\u003c\/span\u003e\u003c\/strong\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eDouglas Brode\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e360 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003eISBN 9798887718064 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003eISBN 9798887718071\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black;\"\u003eThe Last Picture Show\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eDuring the late 1960s, three men met in Monument Valley, the heart, soul, and brain of our vast southwest. One was John Ford, an aging director who over the past half-century had created the greatest body of cinematic work dealing with the frontier experience; i.e., ‘westing.’ His hope was to create one final epic that would serve as an epilogue to all he’d done before, thereby setting his legacy in perspective. Joining him, as he had many times before, was John Wayne, who largely thanks to Ford had become the greatest symbol of The Cowboy in Hollywood history. Only he knew a bitter truth: ‘The Duke’ was in the process of dying from an inoperable cancer. So this would be his last hurrah as well, and this opportunity meant more to him than such a proud, stoic man was willing to admit. This must be his greatest single performance so that he might “enter his house justified.” Accompanying them was a younger man, Peter Bogdanovich, who had made a reputation as a film historian, by writing an analysis of Ford’s films. He had come to make a documentary about this last round-up of such major players in our country’s most unique genre: The Western.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThey came to make a movie. In fact, what they created together would become the great American myth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eMONUMENT VALLEY, while borrowing key elements of that once in a lifetime historical moment, is as much a legend as were any of Ford’s films: A roman-a-clef that freely mixes fact and fiction. Names have been changed to protect the innocent and, in truth, the guilty. For the author, this novel allows for an autobiographical piece of the sort he was waited many decades to commit to print. “Sometimes the truth,” an old sage once said, “is so hard to believe that we need an element of fantasy to make it ring true.” That served as this narrative’s aesthetic as well as the writer’s mantra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eDOUGLAS BRODE is a novelist, graphic novelist, screenwriter, playwright, multi-award-winning journalist, multi-award-winning university educator, film and popular culture historian, TV talk show host, radio announcer, magazine editor, film and theatre critic, regional theatre actor, and travel writer. He and his wife Sue Anne Johnson Brode currently live in San Antonio, Texas.\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Author Doug Brode's latest book Monument Valley is a monumental ride. The story is a compelling page turner complete with plot twists and turns that guarantee to keep the reader enthralled and guessing what will happen next. And Brode never disappoints. More than once I found myself taking pause at the narrative as another unexpected surprise came out of left field. The well-drawn characters are both real and also fictional representations of famous individuals whom many will be sure to recognize - or try to guess — and that's part of the book's enjoyment. I highly recommend Monument Valley for fans of a good mystery and for readers simply looking to immerse themselves in a well-crafted, intriguing tale.\"\u003cbr\u003e- Stone Wallace, author of 20 books, including Montana Dawn, listed by Booklist as \"One of the Ten Best Westerns of the Decade\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199651934,"sku":"cgk1787291963880","price":19.84,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199684702,"sku":"olt1787291963881","price":28.98,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199717470,"sku":"twt1787291963882","price":5.04,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/monument-valley-or-once-upon-a-time-at-the-movies_1.png?v=1787291969"},{"product_id":"candida-incidental-music-for-string-quartet","title":"Candida - Incidental Music for String Quartet","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: #231f20;\"\u003eCandida - Incidental Music for String Quartet\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri;\"\u003ebyJohn Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e49 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e8.25x11 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; mso-line-height-alt: 10.8pt; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717869\u003cspan style=\"mso-tab-count: 1;\"\u003e softcover\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717876 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eCandida, Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e was commissioned in 1985 by director Neal Kenyon for his production of George Bernard Shaw’s nineteenth-century comedy \u003ci\u003eCandida\u003c\/i\u003e at the Richard G. Fallon Theatre in Tallahassee, Florida, during the 1985–1986 theatre season. To sustain the atmosphere of a nineteenth-century conservative society, the director asked for a suite of musical compositions performed by a string quartet and composed in an old-fashioned musical idiom with easily digestible melodies and harmonies. While the impetus to break away from traditional societal norms in the play is evoked in the music by an occasional unconventional harmonic or melodic novelty that is more forward looking than the typical romantic salon music of the period, the suite, in essence, remains conservative and unpretentious in its construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.0pt;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eJohn Franceschina, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199750238,"sku":"ivj1787291963816","price":14.52,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199783006,"sku":"dqk1787291963817","price":23.43,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199815774,"sku":"ssh1787291963818","price":5.2,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/candida---incidental-music-for-string-quartet_1.png?v=1787291970"},{"product_id":"bloody-broadway","title":"Bloody Broadway","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eBloody Broadway – Plays of Menace, Murder, and Mystery – Volume 1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1900-1930\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eAmnon Kabatchnik\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eI\u003cem\u003enternational Book Awards FINALIST 2026\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e446 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003eISBN 9798887718125 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003eISBN 9798887718132\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eThe entity known as Broadway began with several stage contributions by the American playwright-actor-director William Gillette. Gillette’s major success was Sherlock Holmes, a compilation of half-a-dozen short stories by Arthur Conan Doyle into a cohesive plot line. It played at Manhattan’s Garrick Theatre, garnered positive reviews, and ran for 256 performances. During the decade of 1900–1910, a number of prolific melodramatists whipped up various four-act plays featuring plays of crime and punishment populated by flamboyant villains, brawny heroes, and damsels in distress. Hal Reid’s heroines went through dangerous cliffhangers. Clyde Fitch introduced elements that became hallmarks of detective fiction – the innocent party entrapped by circumstantial evidence as a murder suspect, the lack of alibi, and the sharp cross-examination of the suspect before the attorney of the defense agrees to take on the case.  In Owen Davis’s Nellie, the Beautiful Cloak Girl (1906), an inheritor of a fortune goes through a series of attempts on her life, by knives, pistols, and bombs. George M. Cohan set the frightening action of Seven Keys to Baldpate (1913) in a vacant lodge during a stormy night.  Elmer Rice inserted in On Trial (1914) cinematic flashbacks to cover the events that preceded a murder trial. John Willard was hailed for the ingenious use of secret panels and sliding doors in The Cat and the Canary (1922).\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eActs of crime began to emerge in the works of notable playwrights, albeit in a more subtle approach—August Strindberg, Maxim Gorky, Bertolt Brecht—providing psychological insights. From England came to Broadway plays of betrayal, violence, and detection by W. Somerset Maugham, J. B. Priestley, and Daphne du Maurier, followed by the French Jean-Paul Sartre, Albert Camus and Jean Genet, the Hungarian Laszlo Fodor, the German Ernst Toller, the Spanish Garcia Lorca, and the Italian Ugo Betti.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eAlso, mixing their ink with blood were the American novelists Damon Runyon, James Baldwin, Arthur Miller, and William Faulkner, as well as the Nobel Prize winners Eugene O’Neil, John Steinbeck, and Ernest Hemingway.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eThe book’s entries are presented chronologically and include a plot synopsis, production data, opinions by critics, and biographical sketches of playwrights and key actors-directors.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eAmnon Kabatchnik, now retired, was a professor of theater at SUNY Binghamton, Stanford University, Ohio State University, and Elmira College. He directed numerous dramas, comedies, thrillers, and musicals in New York and across the United States. He is the author of Sherlock Holmes on the Stage, Courtroom Dramas on the Stage, Horror on the Stage, Murder in the East End, as well as the seven-volume series, Blood on the Stage.\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eReaders Favorite review\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\"...an extraordinarily comprehensive and meticulously research theatrical history for the first three decades of the 20th Century. An invaluable contribution to the history of the American theatre in general and the murder\/crime themed theatrical plays in particular, this hardcover edition of \"Bloody Broadway - Plays of Menace, Murder, and Mystery - Volume 1 1900-1930\" is especially and unreservedly recommended for personal, professional, community, and college\/university library American Drama History collections and supplemental curriculum studies lists. It should be noted for students, academia, and non-specialist general readers with an interest in the subject...\"\u003cbr\u003e- Midwest Book Review\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eRead the Publisher's Weekly review here\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199848542,"sku":"jqn1787291964745","price":25.9,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199881310,"sku":"zwe1787291964746","price":31.95,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195199914078,"sku":"bkh1787291964747","price":5.76,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/bloody-broadway_1.png?v=1787291970"},{"product_id":"let-the-children-play-a-musical-morality-play","title":"Let the Children Play – A Musical Morality Play","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eLet the Children Play – A Musical Morality Play\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eJohn Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e319 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717906\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717913 hardback\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; text-align: justify; text-justify: inter-ideograph; line-height: normal; background: white;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Arial; color: #333333;\"\u003eA musical about the ill-fated Children’s Crusade in 1212, \u003ci\u003eLet the Children Play\u003c\/i\u003e was originally produced at the Hartke Theatre, Washington, D.C. beginning 18 April 1975. Music, book, and lyrics by John Franceschina, directed by Leo Brady, choreography, and musical numbers by Stephen Lyon, set design by Gerard P. Bourcier, costumes by Jo-Ellen La Rue, lighting by James D. Waring, musical direction, and orchestrations by John Franceschina. The original cast included \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif; mso-bidi-font-family: Arial; color: #333333; background: white;\"\u003eJoseph McDonald, Christy Newland, Michael Rothhaar, Robyn Dobson, Nicholas Leone, Katherine McKenna, James Kelly, Oran Sandell, Brendan Conway, John R. MacDonald, Vincent Clark, Susan Golash, Nathan Hull, Fred W. Greene Jr., Thomas Harrington, Ken Lackey, Martin Brady, Gerry Appel, Robert Daley, Brendan Conway, Lynn Gardner, Michelle Buteau, Donnie Kanter, Mary Jo Carabello, Lynn Steinmetz, Diane D'Amico, Novella Suttora, Debra Cerruti, Anne Trapolin, and Fran Sims. It enjoyed a fiftieth-anniversary production in March 2025 by the Drama Guild at St. Benedict’s Prep, Newark, New Jersey, directed and choreographed by Patricia Flynn, with musical direction by Marc Pannullo.\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Arial; color: #333333;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195199946846,"sku":"feg1787291967120","price":27.0,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195199979614,"sku":"ujb1787291967121","price":36.66,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200012382,"sku":"rrq1787291967122","price":5.2,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/let-the-children-play-a-musical-morality-play_1.png?v=1787291972"},{"product_id":"christopher-jones-wild-in-the-streets-a-biography","title":"Christopher Jones - Wild in the Streets – A Biography","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eChristopher Jones - Wild in the Streets – A Biography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eMichael Gregg Michaud\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e352 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717968 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887717975\u003cspan style=\"mso-tab-count: 1;\"\u003e  hardback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eIn 1968, Christopher Jones began his motion picture career.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSexy, talented, and magnetic, his stardom was instant, international and incendiary, garnering thousands of adoring fan letters each week. Two years later, after starring in six feature films that earned him more than a million dollars, he walked away from Hollywood, his show business friends, and public life.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWhat happened?\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWhere did he go?\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAnd what did he do for the last forty-four years of his life?\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200045150,"sku":"wlk1787291968761","price":23.68,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200077918,"sku":"isf1787291968762","price":26.88,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/christopher-jones---wild-in-the-streets-a-biography_1.png?v=1787291974"},{"product_id":"men-of-steel-87-years-87-actors","title":"Men of Steel - 87 Years, 87 Actors","description":"\u003cp class=\"MsoNoSpacing\"\u003eMen of Steel - 87 Years, 87 Actors\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Edward Gross\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e300 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 979-8-88771-769-2\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 979-8-88771-770-8 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eFor over 87 years, Superman has soared across comics, film, television, radio, animation and more. Men of Steel: 87 Years, 87 Actors is a one-of-a-kind guide to every performer who has played or voiced Superman or Superboy—from George Reeves and Christopher Reeve to Henry Cavill, David Corenswet and more. Written by Edward Gross, author of both unofficial and official Superman histories, this book explores the legacy behind the cape. Whether iconic or obscure, each portrayal adds to the myth—and each actor has helped shape the legend of the world’s greatest superhero.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e https:\/\/forcesofgeek.com\/men-of-steel-87-years-87-actors-review\/\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200110686,"sku":"hqd1787291970887","price":27.65,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200143454,"sku":"xwl1787291970888","price":32.85,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200176222,"sku":"oqe1787291970889","price":4.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/men-of-steel---87-years-87-actors_1.png?v=1787291976"},{"product_id":"the-audio-dramatists-resource-guide-20262027-edition","title":"The Audio Dramatists Resource Guide: 2026–2027 Edition","description":"\u003cp\u003e\u003cstrong\u003eThe Audio Dramatists Resource Guide: 2026–2027 Edition \u003c\/strong\u003eis the ultimate one-stop resource for navigating the world of audio drama script submissions. Packed with over 100 carefully vetted listings, this guide connects audio dramatists with production companies actively seeking scripts, along with a wealth of development opportunities, contests, and fellowships across the U.S., U.K., Canada, and beyond.\u003c\/p\u003e\n\u003cp\u003eThe book also offers expert advice on how to make your submission stand out, craft a compelling query letter, and understand the business side of working in audio drama. Whether you're emerging or established, this guide is designed to support and elevate your creative journey.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“An indispensable tool for audio dramatists at every stage — packed with practical guidance, submission resources, and hard-won industry insight.”\u003c\/p\u003e\n\u003cp\u003e—Jerry Robbins, artistic director, Colonial Radio Theatre\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The Audio Dramatist Resource Guide is a game-changer — offering writers more tools and support than ever before!”\u003c\/p\u003e\n\u003cp\u003e—Larry Albert, producer, Aural Vision, LLC\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“With informed care, expertise supported by experience, and research, the writers of this book take you by the hand on a complete journey to your desired destination — a fitting place for your work.”\u003c\/p\u003e\n\u003cp\u003e—Sheril Antonio, Ph.D., senior associate dean, Tisch School of the Arts, NYU\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHello,\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI’m pleased to share that \u003ci\u003eThe Audio Dramatists Resource Guide: 2026–2027 Edition\u003c\/i\u003e was published today, Tuesday, October 7. The book contains over 100 submission opportunities, including a listing for your company.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJack and I hope this guide helps you discover new writers and projects. If a submission isn’t the right fit, we encourage you to refer those writers to the guide so they can continue their journey toward finding the best home for their work.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe \u003ci\u003eAudio Dramatists Resource Guide\u003c\/i\u003e is the ultimate one-stop resource for navigating the world of audio drama script submissions. It connects dramatists with production companies actively seeking scripts and provides development opportunities, contests, and fellowships across the U.S., U.K., Canada, and beyond.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn addition to carefully vetted listings, the book includes expert advice on:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eCrafting standout submissions and query letters\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eUnderstanding the business side of audio drama\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eBuilding long-term creative opportunities\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eAdvance Praise:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“An indispensable tool for audio dramatists at every stage — packed with practical guidance, submission resources, and hard-won industry insight.”\u003cbr\u003e— \u003ci\u003eJerry Robbins, Artistic Director, Colonial Radio Theatre\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“The Audio Dramatists Resource Guide is a game-changer — offering writers more tools and support than ever before!”\u003cbr\u003e— \u003ci\u003eLarry Albert, Producer, Aural Vision, LLC\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“With informed care, expertise supported by experience, and research, the writers of this book take you by the hand on a complete journey to your desired destination — a fitting place for your work.”\u003cbr\u003e— \u003ci\u003eSheril Antonio, Ph.D., Senior Associate Dean, Tisch School of the Arts, NYU\u003c\/i\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe guide is available in digital, softcover, and hardcover editions from all major retailers such as:\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePublisher: Bear Manor Media\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmazon: Digital\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAmazon: Soft and hard cover\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBarnes and Noble\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBest regards,\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eBarry M. Putt, Jr.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003ehttps:\/\/open.spotify.com\/episode\/44mvBbrOe1hgWKsvNz2EWg\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003ehttps:\/\/sonicsociety.org\/sonic-speaks-0707-scripts-talk-with-barry-m-putt\/\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200208990,"sku":"fri1787291974045","price":14.4,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200241758,"sku":"roe1787291974046","price":26.95,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-audio-dramatists-resource-guide-20262027-edition_1.jpg?v=1787291979"},{"product_id":"the-nero-wolfe-companion-a-guide-to-the-media-adaptations-of-rex-stouts-creation","title":"The Nero Wolfe Companion: A Guide to the Media Adaptations of Rex Stout’s Creation","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eThe Nero Wolfe Companion: A Guide to the Media Adaptations of Rex Stout’s Creation\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eMark Slade \u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e212 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e7 x 10 size \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887718088 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887718095 hardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e“Mark Slade is obviously a fan of the series, and that love bleeds onto every single page. This is the definitive book on Media adaptations of Nero Wolfe. I love it, and so will you!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e—Andrew J. Rausch, Author of The Films of Martin Scorsese and Robert De Niro,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eConversations on Quentin Tarantino, Accidental Genius: an Oral History of The Room.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e“Mark Slade’s comprehensive guide explores the rich history and legacy of Rex Stout’s legendary detective, Nero Wolfe, and his witty assistant, Archie Goodwin, across literature, radio, film, television, and comics. Featuring interviews with key creators and actors and rare visuals, this book is a treasure trove for fans and newcomers alike. Whether you’re revisiting the Brownstone or uncovering its secrets for the first time, The Nero Wolfe Companion is your ultimate ticket to Wolfe’s world.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e—Jared Stearns, author (Pure: The Sexual Revolutions of Marilyn Chambers)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e“My boss is the smartest and the stubbornest, the fattest and the laziest, the cleverest and the craziest, the most extravagant detective in the world –”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eArchie Goodwin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e—From the New Adventures of Nero Wolfe radio drama\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eThe Nero Wolfe companion is a compendium of Media Adaptations of Rex Stout’s character and books that, includes an Introduction by Brian R. Sheridan, Foreword by Richard s. Greene, commentary on the films, a partial bibliography, book covers, partial Radio scripts, commentary on filmography, TV series, comic strip, Radio shows, examples of the A\u0026amp;E TV series scripts, interviews with Rex Stout, Producer Michael Jaffe, screenwriters Lee Goldberg, Sharon E. Doyle, Actors Timothy Hutton, Lee Horsely, Maury Chakyn, and more!\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200274526,"sku":"yrk1787291974221","price":18.0,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200307294,"sku":"qla1787291974222","price":30.4,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200340062,"sku":"qyr1787291974223","price":4.88,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-nero-wolfe-companion-a-guide-to-the-media-adaptations-of-rex-stouts-creation_1.png?v=1787291980"},{"product_id":"celebrities-on-tv-game-shows-1950-1999-volume-2","title":"Celebrities on TV Game Shows 1950-1999 (Volume 2)","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eCelebrities on TV Game Shows 1950-1999 (Volume 2)\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eDavid Schwartz and Brendan McLaughlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eForeword by Peter Marshall \u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e540 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e6 x 9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN \u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e9798887718149\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887718156 hardback\u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eRonald Reagan did it. Clint Eastwood did, too. Ditto for Hank Aaron. So did Judy Garland. And Big Bird.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eThey all appeared as celebrity guests on game shows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eIn Volume 2 of “Celebrities on TV Game Shows,” you’ll find the names of thousands of famous actors, singers, athletes, and politicians – among others – who were on game shows from 1950 to 1999. In addition, you’ll get in-depth information on the shows they appeared on and how often. Plus, you’ll see picture after picture of these stars playing the games on the sets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eThe stars are out, and they’re all in this book!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eDavid Schwartz is the co-author of three editions of \u003ci\u003eThe Encyclopedia of TV Game Shows\u003c\/i\u003e and has worked at Game Show Network since its launch in 1994. He is an avid collector of game show memorabilia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eBrendan McLaughlin has been compiling information on celebrities’ game show appearances for over four decades, and his research has been featured in numerous books about television history. He is currently working as a proofreader and resides in the Pittsburgh area.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200372830,"sku":"dmh1787291976276","price":23.4,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200405598,"sku":"jiq1787291976277","price":30.08,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200438366,"sku":"vtj1787291976278","price":5.04,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/celebrities-on-tv-game-shows-1950-1999-volume-2_1.png?v=1787291982"},{"product_id":"rare-beauty-bonita-granville-a-biography","title":"Rare Beauty: Bonita Granville A Biography","description":"\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16.0pt; font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003eRare Beauty: Bonita Granville A Biography \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003eBy Kate Arndt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003e\"By concentrating on the person, much more than the actress, Kate Arndt achieves a rapport with her subject that is rare in biographies of film stars.\"\u003cbr\u003e- The New York Sun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003e234 Pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003eISBN \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; mso-fareast-font-family: 'Times New Roman'; color: black; mso-font-kerning: 0pt; mso-ligatures: none;\"\u003e9798887717456 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003eISBN \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif; color: black;\"\u003e9798887717463 hardback\u003c\/span\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Garamond',serif; mso-bidi-font-family: Garamond; color: black; mso-themecolor: text1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-size: 18.0pt; color: black; mso-themecolor: text1;\"\u003eBonita Granville…Nancy Drew! The woman was more than just Nancy Drew! Read about her life, her exciting adventures with Disney and Hollywood! Kate Arndt writes her very first biography about this legendary woman. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-themecolor: text1;\"\u003eKate Gaddis (Now Arndt) is the author of \u003ci\u003eThe Deanna Durbin Scrapbook, Trying To Light A Match In The Rain, Beyond the Diary: The Story of the Wolf Siblings\u003c\/i\u003e, and \u003ci\u003eAmong the Many \u003c\/i\u003eand \u003ci\u003eJobyna Ralston: A Life in Pictures.\u003c\/i\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eShe is married to her husband, Kevin, and they share a lovely pup, Olivier Petr. She is the Youth and Diary historian at the Holocaust Museum in Houston.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cspan\u003eWhile it covers the actress's life and career with accuracy and detail, it offers a wonderfull array of photo illustrations, and, even more commendable, a great deal of depth and substance that extend beyond the usual celebrity biography.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cspan\u003e -- James L. Neibaur, Patreon review\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cspan\u003ehttps:\/\/www.nysun.com\/article\/hollywood-stardom-and-its-afterlife-in-the-world-of-bonita-granville?member_gift=CUZ5qwd3crq4pmz-xrd\u003c\/span\u003e\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200471134,"sku":"cnr1787291976498","price":17.92,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200503902,"sku":"etj1787291976499","price":29.64,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200536670,"sku":"btl1787291976500","price":5.92,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/rare-beauty-bonita-granville-a-biography_1.jpg?v=1787291981"},{"product_id":"emmanuelle-is-pretty-cool-scripts-from-the-emmanuelle-2000-series","title":"Emmanuelle is Pretty Cool – Scripts from the Emmanuelle 2000 Series","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eEmmanuelle is Pretty Cool – Scripts from the Emmanuelle 2000 Series\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eRolfe Kanefsky \u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e208 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e8.25 x 11 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\" lang=\"EN-IN\"\u003eColor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887718101 paperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eISBN 9798887718118\u003cspan style=\"mso-tab-count: 1;\"\u003e hardback\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e                           \u003c\/span\u003e\u003cu\u003eWhat if you could control anyone with a simple flick of your mind?\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eAn experiment in mind control leads to an outrageous and hysterically sexy adventure for Howard Duckell, a nerdy high school student forced to attend summer school. Now Howard and his horny best friend, Chuck are living out every wet dream they can imagine from controlling his older sister and being invisible in the girl’s locker room to making hot chicks orgasm on command! However, when Emmanuelle, a beautiful undercover spy posing as a substitute teacher, comes to town in order to reclaim these unleashed mental powers, it becomes a race against time to contain this corrupting ability before it spirals out of control! You know what they say about absolute power… Can Howard find true love? Will Chuck get laid? When a zero becomes a hero, it’s all “\u003ci\u003ePretty Cool\u003c\/i\u003e”!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\"\u003eInside you’ll find the evolution of the screenplay that eventually became a minor motion picture entitled “\u003ci\u003ePRETTY COOL\u003c\/i\u003e” aka “\u003ci\u003eEMMANUELLE PIE\u003c\/i\u003e” aka one feature-length episode from the late-night cable series “\u003ci\u003eEMMANUELLE 2000\u003c\/i\u003e”. When producer Alain Siritzky wanted to make a new erotic series where Emmanuelle could enter the minds of anyone she wishes to control or possess, he hired independent filmmaker Rolfe Kanefsky to come up with a story to turn this science fiction premise into a reality. By incorporating a magical device of a headband that allows a person to possess anyone wearing a special necklace, seven 90 minute movies were produced in the summer of 2000. Wanting one of the films to be set in high school to capitalize on the success of the recent blockbuster hit, “\u003ci\u003eAmerican Pie\u003c\/i\u003e”, a script entitled “\u003ci\u003eSummer Fever\u003c\/i\u003e” was written. Rolfe eventually turned this into the “R” rated motion picture “\u003ci\u003ePretty Cool\u003c\/i\u003e” but was forced to also direct an unrated version that could fit into the late night Emmanuelle series. These multiple scripts are now, for the first time, presented inside these pages. Whether you’ve seen any versions of this film or not, we hope you enjoy this lighthearted, comical and sexual romp that attempted to capture the 80s vibe of teen sex comedies in the tradition of such movies as “\u003ci\u003eWeird Science\u003c\/i\u003e”, “\u003ci\u003eZapped!\u003c\/i\u003e”, “\u003ci\u003eModern Problems\u003c\/i\u003e” and “\u003ci\u003ePorky’s\u003c\/i\u003e” at a time when the genre was a little more fun, innocent and playful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-variant: small-caps; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eRolfe Kanefsky is an award winning writer \/ director \/ producer who has been working professional in the film industry for the past 35 years. Prolific in almost every genre, his work includes the horror flicks; \u003ci\u003e“There’s Nothing Out There”\u003c\/i\u003e, After Dark\/Lions Gate’s release of \u003ci\u003e“Nightmare Man”\u003c\/i\u003e, \u003ci\u003e“The Hazing”\u003c\/i\u003e starring Brad Dourif, \u003ci\u003e“The Black Room”\u003c\/i\u003e starring Natasha Henstridge and Lin Shaye, Warner Brothers \u003ci\u003e“Jacqueline Hyde”\u003c\/i\u003e, \u003ci\u003e“Art Of The Dead”\u003c\/i\u003e, thrillers such as \u003ci\u003e“1 In The Gun”\u003c\/i\u003e starring Steven Bauer and Robert Davi, and \u003ci\u003e“Tomorrow By Midnight”\u003c\/i\u003e starring Carol Kane and Alexis Arquette. Comedies such as \u003ci\u003e“Blonde and Blonder”\u003c\/i\u003e starring Pamela Anderson and Denise Richards. The western \u003ci\u003e“Doc Holiday’s Revenge”\u003c\/i\u003e starring Tom Berenger, Lifetime thriller premieres \u003ci\u003e“Watch Your Book”\u003c\/i\u003e starring AnnaLynne McCord, \u003ci\u003e“Deadly Sorority”\u003c\/i\u003e with Greer Grammar and Moira Kelly, and \u003ci\u003e“Pool Boy Nightmare”\u003c\/i\u003e. Family films include \u003ci\u003e“A Dog \u0026amp; Pony Show”\u003c\/i\u003e with Ralph Macchio and Mira Sorovino, \u003ci\u003e“Puppy Swary”\u003c\/i\u003e with Margot Kidder and the animated \u003ci\u003e“Space Dogs 2: Adventure To The Moon”\u003c\/i\u003e among many, many more.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200569438,"sku":"heq1787291977356","price":24.32,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200602206,"sku":"auq1787291977357","price":30.87,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200634974,"sku":"yab1787291977358","price":4.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/emmanuelle-is-pretty-cool-scripts-from-the-emmanuelle-2000-series_1.png?v=1787291984"},{"product_id":"the-making-of-news-anchor-bill-jorgensen","title":"The Making of News Anchor Bill Jorgensen","description":"\u003cp\u003e\u003cbr\u003eThe Making of News Anchor Bill Jorgensen\u003c\/p\u003e\n\u003cp\u003eor How to Succeed in a Broadcasting Career Fighting ‘Obedient News’\u003c\/p\u003e\n\u003cp\u003eRebekah Jorgensen\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e110 pages\u003c\/p\u003e\n\u003cp\u003e6x9 size\u003c\/p\u003e\n\u003cp\u003eISBN 9798887718200 paperback\u003c\/p\u003e\n\u003cp\u003eISBN 9798887718217 hardback\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"It's 10 o'clock. Do you know where your children are?\"\u003c\/p\u003e\n\u003cp\u003eThis iconic opener for news anchor Bill Jorgensen's primetime Metromedia broadcast in New York was heard nightly by millions, making him a household name and news legend.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Mr. Jorgensen's durably pleasing style and demeanor...suggests authority without affectation.\"\u003cbr\u003e- New York Times television critic Jack Gould\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Jorgensen was kind of a giant, aloof, powerful figure— he carried himself with deep authority.”\u003cbr\u003e- Producer Victor Neufeld\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Jorgensen was a difficult guy, very moody, hardly talked to anybody, but when you turned on that camera, he performed brilliantly. He had a voice that was like fate reaching out to you.\"\u003cbr\u003e- News director Ted Kavanau\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWho was the real \"Bill Jorgensen\" and what motivated him to be a rebel (albeit successful and influential) throughout his thousands of radio and television broadcasts in the \"Golden Age of TV News Broadcasting'?\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJorgensen detested \"obedient news\" that did not reveal the truth and battled corporate sponsors and media owners who conspired to hide it. When efforts were made to suppress stories, he found innovative ways to make certain they reached the public.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCompiled with filmmaker daughter Rebekah Jorgensen, his background and the forces affecting his reporting reveal why Jorgensen believed in the public's right to know, to have transparent and accountable facts to make informed decisions to protect America's freedoms.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn later years, Jorgensen grew alarmed that news anchors and journalists were again losing their voice and being punished for writing honestly. He hoped this story might inspire a new generation of media journalists.\u003cbr\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195200667742,"sku":"cvp1787291978973","price":14.52,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195200700510,"sku":"ucd1787291978974","price":21.78,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195200733278,"sku":"nwj1787291978975","price":6.32,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/the-making-of-news-anchor-bill-jorgensen_1.png?v=1787291984"}],"url":"https:\/\/truestylefashion.shop\/collections\/new-in.oembed","provider":"Minha loja","version":"1.0","type":"link"}