{"product_id":"concerto-for-accordion-and-orchestra","title":"Concerto for Accordion and Orchestra","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eConcerto for Accordion and Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eJohn Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e87 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eISBN \u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e9798887718354\u003cspan style=\"mso-tab-count: 1;\"\u003e paperback\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eISBN 9798887718361 hardback\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eThe \u003ci\u003eConcerto for Accordion and Orchestra\u003c\/i\u003e was commissioned in 1986 by the American Accordionists’ Association as a test piece for the 1987 Coupe Mondiale competition. In three movements, the free-bass composition explores the diverse technical capabilities and tonal colors of the accordion in the context a dialogue between that instrument and a symphony orchestra. The first movement, Fantasy, is a freeform construction, improvisatory in nature that makes great technical demands on the performer; the second movement, Nocturne, is a simple arioso designed to feature the cantabile ability of the instrument; and the third movement, Caprice, is a playful, rondo-like scherzo that incorporates motifs from the two earlier movements in a virtuosic display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eThe \u003ci\u003eConcerto\u003c\/i\u003e was published in 1986 by Ernest Deffner Publications in a reduction for accordion and piano. In a preface to that publication, Faithe Deffner, the President of the American Accordionists’ Association, wrote:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e“John Franceschina’s \u003ci\u003eConcerto for Accordion and Orchestra\u003c\/i\u003e is a noteworthy addition to the literature for our instrument, resulting from the American Accordionists’ Association’s long-term commissioning program.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eSince the inception of our organization in 1938, AAA’s board of governors has supported efforts to enlarge the original music repertory of the accordion. We hold the conviction that the accordion will be perceived as a serious and significant member of the musical instrument family when it can boast a body of original literature, utilizing the many unique musical capabilities of the instrument, in addition to the artistry and technical proficiency which has already been attained by many of today’s accomplished accordionists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eThis new work addresses the accordionists’ need for orchestral music which will highlight the instrument. We believe that concert accordionists will find this \u003ci\u003eConcerto\u003c\/i\u003e to be an excellent vehicle for our instrument.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin: 0in .25in 0in .25in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eOur thanks to the very talented composer, John Franceschina, for an outstanding composition.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in;\"\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eThe present edition of the \u003ci\u003eConcerto\u003c\/i\u003e makes available, for the first time in print, the full orchestral score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":43195209384030,"sku":"pfi1787292158458","price":13.64,"currency_code":"BRL","in_stock":true},{"title":"Hardback","offer_id":43195209416798,"sku":"ggz1787292158459","price":25.74,"currency_code":"BRL","in_stock":true},{"title":"Ebook","offer_id":43195209449566,"sku":"yvt1787292158460","price":5.6,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/9662\/3198\/files\/concerto-for-accordion-and-orchestra_1.jpg?v=1787292164","url":"https:\/\/truestylefashion.shop\/products\/concerto-for-accordion-and-orchestra","provider":"Minha loja","version":"1.0","type":"link"}